|
| 1. |
|
06/17/10 |
Very Good |
 "If the images of poultry without beaks don't inspire a trip to Whole Foods, the mouth-watering harvest of an organic farm in downtown Milwaukee will." |
| 2. |
|
03/11/10 |
Very Good |
 "With passionate commentary from art experts... the gripping yet hyperbolic drama examines the ownership of art and the public's right to it." |
| 3. |
|
07/09/09 |
Very Good |
 "...the crusty postman and the mild librarian emerged as the Fred and Ethel Mertz of modernism, championing the early careers of such artists as Sol LeWitt and Christo." |
| 4. |
|
06/11/09 |
Very Good |
 "Murphy endures humiliations both subtle and slapstick, yet he's at his funniest -- and is unusually affecting -- opposite radiant newcomer Shahidi." |
| 5. |
|
02/16/12 |
Good (Not Great) |
 "...cinematic oddities (and one terrific toddler actor) lift the film above easy tears, and the outcome is never boring.... involving, and ultimately thought-provoking..." |
| 6. |
|
12/15/11 |
Good (Not Great) |
 "Preachy dialogue aside, Theron and Patton Oswalt's subtle chemistry deepens this surprisingly sympathetic portrait of a bitch on the brink." |
| 7. |
|
06/17/10 |
Good (Not Great) |
 "...competent... revelations that the 75-year-old comic is needy, hard-driving, and relentlessly self-flagellating aren't all that surprising." |
| 8. |
|
10/01/09 |
Good (Not Great) |
 "Although the visuals and the score are often elegant, the sudsy drama and muddled ironies of a complicated love life (Alessandro Nivola shows up) wear badly..." |
| 9. |
|
07/30/09 |
Good (Not Great) |
 "Too bad the script's gaggingly overt messages about 'family' and 'believing' gnaw away at the fun." |
| 10. |
|
09/22/11 |
Moderate |
 "...aside from the charismatic Winter and Morgan Freeman as the prosthetics expert tasked with engineering her new tail, none of the characters makes much of a splash..." |
| 11. |
|
04/28/11 |
Moderate |
 "Ominous narration by Samuel L. Jackson telegraphs their peril... by the time someone loses an eye, the unflinching footage has more than established the stakes." |
| 12. |
|
01/13/11 |
Moderate |
 "Kristin Scott Thomas remains a mesmerizing mix of carnality and class, and through richer and poorer, she keeps Catherine Corsini's bourgeois fantasy from overheating." |
| 13. |
|
09/30/10 |
Moderate |
 "...wildly uneven..." |
| 14. |
|
05/06/10 |
Moderate |
 "...spare, occasionally stirring... stops short of it's-a-small-world platitudes to elicit awe -- and awwws." |
| 15. |
|
02/11/10 |
Moderate |
 "Writer/director Hue Rhodes stokes the 'Inferno' metaphor (lots of fire, a thug dubbed Lou Cipher), but he never transcends self-conscious quirkiness." |
| 16. |
|
08/20/09 |
Moderate |
 "Screenwriter Kelly Fremon dresses up the pabulum about following your passion, appreciating weirdness, and valuing ice cream with fitfully funny subplots." |
| 17. |
|
05/21/09 |
Moderate |
 "Toss in a muttering crone, much imbibing, a lecherous bumpkin... this overreaching exploration of forgiveness and self-acceptance eventually turns risible." |
| 18. |
|
05/14/09 |
Moderate |
 "Belber can't settle on a tone, and the second half resorts to contrivance to pad the plot... logic has checked out." |
| 19. |
|
04/16/09 |
Moderate |
 "Is a kiss ever without consequence, she wonders?... Mouret's fleetingly amusing and occasionally saucy rumination on the covert kind doesn't add up to much." |
| 20. |
|
03/08/12 |
Weak |
 "There are only so many baggy vagina jokes one can take.... it's maddeningly conventional and clichéd." |
