| 1. |
|
11/18/09 |
Excellent |
"...two movies, both excellent, for the price of one.... a social-political thriller and a psychological study of a creature of power during and after his seizure by ransom-hunters..." |
| 2. |
|
04/21/09 |
Excellent |
"Spectacle, a love triangle, heritage settings, bravura acting, witty dialogue, a bittersweet finale: There's something for everyone..." |
| 3. |
|
09/02/08 |
Excellent |
"The humor is sly and understated rather than laugh-out-loud, as Fontaine's literate script, co-written with Benoit Graffin, hints at melancholy and deeper frustrations." |
| 4. |
|
03/26/09 |
Very Good |
"...as always with this director, the pleasures reside in the fine detail rather than the broad sweep." |
| 5. |
|
03/25/09 |
Very Good |
"...a compelling social drama... features an impressive performance by Vincent Lindon... The movie offers no simple solutions, nor even a feel-good ending, but throws a cold light on the human tragedy that underlies many of today's headlines." |
| 6. |
|
09/07/12 |
Good |
"...the filmmakers know precisely what they are doing... Liam Neeson is utterly convincing as the anger-fueled but soft-spoken action hero..." |
| 7. |
|
03/15/11 |
Good |
"...wears its commitment on its sleeve, yet is in tune with the times.... there are plenty of gags -- mostly verbal, mostly good -- and a driving musical soundtrack including rock standards to maintain uplift." |
| 8. |
|
08/18/09 |
Good (Not Great) |
"...where, the more demanding filmgoer will ask, is the added value, the spark of inspiration that makes for a must-see movie rather than a worthy night out?" |
| 9. |
|
10/14/10 |
Moderate |
"...has Hitchcockian pretensions, with perhaps a touch of film noir, but the 'love' component is perfunctorily done and the 'crime' pay-off is unconvincing..." |
| 10. |
|
07/07/09 |
Moderate |
"The cuteness grates, and the setups and philosophizing are generally unconvincing.... the performances are solid and there are moments of charm." |
| 11. |
|
02/27/08 |
Moderate |
"Pierre Morel moves the action along briskly, serving a screenplay (co-authored by Robert Mark Kamen) that rarely rises above the strictly functional." |
| 12. |
|
07/25/11 |
Fair |
"...ultimately the movie disappoints, failing to convince either as spectacle or as a fable about religious obsession.... The screenplay is at times labored..." |
| 13. |
|
09/08/09 |
Fair |
"The ecology message is too obvious and too uncontentious... The movie is self-consciously artsy... The characterization is thin and dialogue tends to be leaden.... What's to admire? The Andean landscapes are breathtaking..." |
| 14. |
|
10/15/10 |
Weak |
"...set at a high emotional pitch that fails to disguise the fact that it is overdocumented and underdramatized.... In its earnestness, the film strikes too many false notes..." |
| 15. |
|
10/14/10 |
Weak |
"Joann Sfar makes no attempt to get behind legendary French singer/songwriter Serge Gainsbourg's refusal to face up to the addictions that he knew were killing him." |