| 1. |
|
05/21/13 |
Outstanding |
"...deftly crafted, highly engaging.... offers a satisfying, poignant, and authentic portrait of bohemia..." |
| 2. |
|
05/17/13 |
Excellent |
"...represents Coppola's best work since the Oscar-winning 'Lost in Translation'.... Very much a zeitgeist film... Coppola has coaxed fresh performances from her cast..." |
| 3. |
|
05/17/13 |
Very Good |
"...the stunts have gotten bigger, and locations more exotic... the core characters and the basic relationships have remained the same, following a formulaic structure." |
| 4. |
|
05/13/13 |
Outstanding |
"...fully realized, emotionally astute... more than justifies the continuation of this distinctly (and distinctively) American romantic adventure and endless talk fest..." |
| 5. |
|
05/11/13 |
Outstanding |
"...original, ambitious, and inspirational.... a formally elegant, personal, and even transformative documentary that presents a complex labyrinth of tales..." |
| 6. |
|
05/09/13 |
Good (Not Great) |
"...a jazzy postmodern spectacle, a presumably corrective and revisionist version that actually misinterprets the essence of Fitzgerald's novel.... sharply uneven..." |
| 7. |
|
05/04/13 |
Excellent |
"The relationship between Kirk and Spock, a prototypical bromance that was an entertaining element of the previous film, now gets further elaboration.... well-crafted..." |
| 8. |
|
05/03/13 |
Very Good |
"Chism stuffs her screenplay with genuine quirkiness and plenty of black cultural references to make 'Peeples' seem original enough in places." |
| 9. |
|
05/03/13 |
Good (Not Great) |
"...the movie is not sentimental but the narrative is schematically and utterly naïve in its upbeat philosophy that, no matter how wounded you are, life goes on." |
| 10. |
|
05/02/13 |
Good (Not Great) |
"Walks a fine line between eurotrash and art film, a legit Vampire tale and a gory midnight fare... seldom finds its right narrative veins -- or tone..." |
| 11. |
|
04/24/13 |
Poor |
"This movie has a sick, ugly heart.... it is much like one of the crimes that its story describes: poorly planned, poorly carried out, and wholly disturbing." |
| 12. |
|
04/22/13 |
Very Good |
"...sharply made... inventively combines a boys' adventure, mystery and elegiac portrait of a past remembered.... Jeff Nichols proves to be a superb visual storyteller." |
| 13. |
|
04/16/13 |
Excellent |
"...deliciously twisted... darkly humorous... Ozon has always favored strong actresses in the same way that Almodovar loves his Spanish female characters and actors." |
| 14. |
|
04/12/13 |
Good (Not Great) |
"In its good moments, the film delivers the thrills and frills expected of sci-fi adventure.... In its bad moments, it is close to being incoherent, ponderous, and pretentious..." |
| 15. |
|
04/11/13 |
Excellent |
"...thrillingly twisted.... Courageously and provocatively delves into the unknown, mysterious domain of human subconsciousness in a boldly cinematic mode..." |
| 16. |
|
04/10/13 |
Good |
"...somewhat schmaltzy... Chadwick Boseman gives a promising performance that shows a more intelligent Robinson than the screenplay allows for." |
| 17. |
|
04/08/13 |
Moderate |
"The best element is its glorious cast.... But the screenplay is so flawed and the direction so restrained (if not stale) that overall this is a major artistic disappointment." |
| 18. |
|
04/03/13 |
Good |
"...not as good or impressive as the 1981 original, but it's a decent one, likely to satisfy the die-hard fans of Raimi as well as a new generation of horror aficionados." |
| 19. |
|
04/01/13 |
Moderate |
"...the subject might have been more suitable for a mini-series or a novel rather than a single feature.... suffers from an overly serious, earnest tone, lacking irony and subtlety." |
| 20. |
|
03/29/13 |
Poor |
"...pure trash, a silly, manipulative picture that tries to pass as a morality play for our troubled times, but is not good enough even for a late night episode on serial TV..." |