|
| 1. |
|
03/15/13 |
Moderate |
 "...proficient but personality-free.... character detail in Eran Creevy's bland script doesn't extend far beyond 'good' or 'bad.' " |
| 2. |
|
01/21/13 |
Excellent |
 "...a splendidly demented gumbo of Hitchcock thriller, American Gothic fairy tale and a contemporary kink all Park's own.... exquisitely designed and scored..." |
| 3. |
|
09/05/12 |
Good (Not Great) |
 "...frequently amusing... Just about every charge of social negligence leveled at it can be countered with an arch claim of intent, which makes it at once playful and wearying." |
| 4. |
|
09/03/12 |
Fair |
 "...well-meaning but dated and frequently risible.... the actors do their best to wring genuine feeling out of this superficially impassioned but coldly diagrammatic material." |
| 5. |
|
08/31/12 |
Very Good |
 "...exhaustive and entertaining... refreshingly uninterested in celebrity mythos, focusing principally on the practical and physical nuts and bolts of Jackson's talent..." |
| 6. |
|
08/30/12 |
Very Good |
 "...alternately playful and elegiac... rewarding.... it's another delicate, surprising reflection on intimate relationship politics from the young Canadian Sarah Polley." |
| 7. |
|
08/29/12 |
Good (Not Great) |
 "...a cheerfully grisly shark thriller.... likable trash... At least half the time, the pic functions as a prosaically effective suspense exercise..." |
| 8. |
|
06/27/12 |
Outstanding |
 "...a tense, teasing triumph.... exquisitely crafted.... Icily disquieting rather than scary, the film is less an exercise in narrative than in tonal mastery." |
| 9. |
|
06/24/12 |
Good (Not Great) |
 "...thoughtful but exceedingly modest... The arc is subtle, though the same doesn't always go for the writing... thesps are uniformly engaging..." |
| 10. |
|
05/21/12 |
Moderate |
 "...droll, elegant but faintly trying study in emotional artifice.... offers its most complete pleasures as a quietly pristine showcase for Kiarostami's undiminished craft..." |
| 11. |
|
05/20/12 |
Good |
 "Soul music's alleged redemptive powers are fully at work in this jumbled, sketchily written but vastly appealing true-life musical comedy." |
| 12. |
|
04/10/12 |
Weak |
 "...loudly, proudly ridiculous... Overlong and underwritten... The attractive cast does no more than director Peter Berg and the script require, which is very little indeed." |
| 13. |
|
02/12/12 |
Very Good |
 "...generous, absorbing... Particularly compelling is the sub-narrative it presents of a social rebel nonetheless tormented by his own mixed-race heritage." |
