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JEANNETTE CATSOULIS Movie Reviews

Jeannette Catsoulis
387 reviews, averaging 54.1% positive

 

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Review
Date
Rating
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1.
The Samaritan (2012)
New York Times
05/18/12 Fair "Mr. Jackson pushes the lugubrious plot uphill with sporting deliberation... this hardworking actor seems to know that the film around him should be a light-footed caper instead of a grim noir..."
2. 05/18/12 Weak "...its vibe is pure '70s... unless you're among those who still drop acid as a midnight-movie apéritif, your enjoyment of this retro oddity remains far from guaranteed."
3.
Lovely Molly
New York Times
05/18/12 Good "Are Molly's demons in her house or in her head? Generating suspense without blowing the special-effects budget, Mr. Sanchez paints an intimate portrait of a tormented personality."
4. 05/17/12 Weak "...disappointingly limp... plays like a Merchant Ivory Production of 'Portnoy's Complaint'... the real problem with 'Hysteria' is that it's not the tiniest bit sexy."
5.
You Are Here (2012)
New York Times
05/11/12 Good "An unsettling visual inquiry into, among other things, the nature of consciousness and the building blocks of identity, this audacious debut feature resists categorization."
6. 05/11/12 Fair "...much-ado-about-nothing... buries its sly humor beneath wearying scenes of Sarah in transit... she's never as dysfunctional as the film's premise -- or its comedy -- requires."
7. 05/11/12 Fair "Hectic and harebrained... tosses a potpourri of plot points -- crooked cops, sleazy gangsters, stolen drugs and an underage hostage -- into a packed-to-the-gills nightclub, and stirs. Repeatedly."
8.
The Road (2012)
New York Times
05/11/12 Very Good "...a powerfully atmospheric blend of ghostly encounters, horrific situations and missing-persons mysteries... this enormously assured movie sucks you in like quicksand."
9.
Chronicling a Crisis
New York Times
05/04/12 Good (Not Great) "Alternately tedious and illuminating.... a naked portrait of successful self-analysis, of a man reaching backward for the strength to move forward."
10.
Mother's Day (2012)
New York Times
05/04/12 Fair "...an unnecessary remake of an unremarkable 1980 shocker.... offers no one to root for except Mother, whose perverted family values at least remain consistent."
11.
Citizen Gangster
New York Times
04/27/12 Good (Not Great) "...unusually cerebral... chooses psychic pain over public-enemy thrills... a good-looking but passionless affair that remains stubbornly aloof from its audience."
12. 04/27/12 Very Good "...an eccentric delight. We may know little more about its antihero at the end than we did at the beginning, but the journey is more than worth the price of admission."
13. 04/27/12 Good (Not Great) "Pleasantly charming but instantly forgettable... this arrested-development comedy panders to the work-averse by taking easy aim at ambitious careerists."
14.
Chimpanzee
New York Times
04/20/12 Poor "...the latest piece of gorgeously shot pablum from Disneynature... an orgy of cuteness pasted over some of the most asinine narration ever to ruin a wildlife movie."
15.
The Moth Diaries
New York Times
04/20/12 Good (Not Great) "...a Gothic stew of satisfying kinkiness if unsatisfying resolution.... the film's narrative frailties are offset by impeccable performances and a consistently eerie tone..."
16.
Downtown Express
New York Times
04/20/12 Moderate "Little more than a showcase for Philippe Quint -- whose acting is almost as toneless as his violin playing is sublime... a trite, sunny drama..."
17.
Deadline (2012)
New York Times
04/13/12 Weak "Too lifeless for Lifetime and too inept to do justice to its source material... Without Eric Roberts and his grinning insouciance, this well-meaning mess would have no heartbeat at all."
18.
Unraveled (2012)
New York Times
04/13/12 Very Good "Bolstered by animated re-enactments and Bob Richman's frosty cinematography... a mesmerizing one-man dive into narcissism, entitlement and unchecked greed."
19. 04/06/12 Very Good "...a sad chronicle of absent fathers and messed-up mothers, drugs as currency and violence as the period at the end of every argument.... Intimate and never condescending..."
20.
The Assault (2012)
New York Times
04/06/12 Moderate "...propulsive... a symphony of stomping boots and spraying bullets, kicks subtlety to the curb and humanity to the margins.... [ultimately,] no more than a handsome, ruthless charge to a bloody, unearned finale."

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