| 1. |
|
01/02/09 |
Good |
"...conjures a political and moral landscape drowning in corruption and pickled in black-market vodka.... plumbs near-comical depths of anti-Communist fury. Not many people will be laughing." |
| 2. |
|
01/17/09 |
Very Good |
"A strange synergy of old and new... blends cutting-edge technology and old-school prosthetics to produce something both familiar and alien: gore you can believe in." |
| 3. |
|
01/21/09 |
Excellent |
"...beautifully acted... a haunting -- and haunted -- examination of the way simple snapshots can galvanize and obstruct our ability to move on.... Compensating for the languid narrative is the richness of Yadi Sugandi's cinematography..." |
| 4. |
|
01/23/09 |
Poor |
"...ruined by lumpen dialogue, cloddish performances and a director and writer oblivious to both.... Mr. Ondaatje stuffs the screen with scudding clouds, speeded-up traffic..." |
| 5. |
|
01/28/09 |
Moderate |
"Depending on your tolerance for relentless whimsy and unflagging eccentricity, the film will make you gurgle with delight or groan with exasperation.... a saccharine-sweet, intermittently irritating fable about the salve of creativity. Or something like that." |
| 6. |
|
01/28/09 |
Fair |
"...the director ignores every opportunity to excavate the heroine from the heroism... a tribute that leaves Ms. Senesh 's personality as vague in the final frame as in the first." |
| 7. |
|
02/04/09 |
Very Good |
"...a lyrical documentary about the intersection of location and imagination.... director Chiara Clemente makes smooth transitions among styles, mediums and personalities." |
| 8. |
|
02/06/09 |
Good (Not Great) |
"Paul McGuigan directs with maximum efficiency and minimum use of computers, creating effects that feel satisfyingly tangible." |
| 9. |
|
02/06/09 |
Very Good |
"If you can get past the excruciating title, with its forced uplift and intimation of immobility, 'Life. Support. Music.' is a blessedly nimble journey from loss to reclamation." |
| 10. |
|
02/27/09 |
Poor |
"...visually stagnant and tonally bewildered. As characters exchange platitudes and burp clichés, the director, Gene Rhee (who also co-wrote), reveals a clouded eye and a tin ear. Or maybe he just has a lot of friends who actually say 'for reals.' " |
| 11. |
|
03/02/09 |
Moderate |
"...generic... A restroom tussle between Chun-Li and a slinky lesbian villain is wonderfully inventive and humorously revealing." |
| 12. |
|
03/06/09 |
Good |
"...the director, Craig Saavedra, generates surprising warmth from the familiar tropes of the odd-couple road movie.... he allows Mr. Le Gros room to engage." |
| 13. |
|
03/13/09 |
Very Good |
"...though I have never actually heard a skull exploding in a microwave, I suspect the movie's sound designers deserve some kind of an award..." |
| 14. |
|
03/20/09 |
Good |
"The performances are across-the-board solid... Neither self-righteous nor bombastic, these wide-ranging mini-tales coast on a gently insistent tone of regret.... Mr. Tec reminds us that change does not happen overnight." |
| 15. |
|
03/20/09 |
Good |
"...gazes indulgently on 20-something aimlessness and the comfort of assigned roles. In Mr. Miranda's hands sloth can be more appealing than you might think." |
| 16. |
|
03/20/09 |
Poor |
"Written in shorthand and directed in ungainly chunks by Kyle Schickner... the kind of movie in which a single Sapphic embrace turns a timid churchgoer into a pierced, political rebel." |
| 17. |
|
03/27/09 |
Good |
"...gives you the creeps, the giggles and the groans in almost equal measure.... Peter Cornwell delivers some genuinely grisly imagery..." |
| 18. |
|
03/27/09 |
Fair |
"...a strange, lovely, leaden ball of confusion.... wavers between homage and parody. But you can't look at something sideways while placing it on a pedestal..." |
| 19. |
|
03/27/09 |
Very Good |
"...a prickly examination of the sturdiness of class boundaries... thanks to sincere performances and clever writing, the movie never becomes maudlin." |
| 20. |
|
04/03/09 |
Fair |
"A teenage comedy with an old-fogy scent... Aiming for John Hughes by way of Woody Allen... moves to the rhythms of a big-band soundtrack and a borscht-belt vibe." |