|
| 1. |
|
11/10/11 |
Outstanding |
 "...haunting and compassionate... what makes the film so unusual is the relaxed and intelligent way that it connects the private and public experience of war." |
| 2. |
|
04/02/10 |
Outstanding |
 "...it soars... the movie never degenerates into a laundry list of pet issues because Mr. Gerima's sensibility is humanist and fundamentally decent and sane." |
| 3. |
|
10/05/11 |
Very Good |
 "...seems to be channeling the personality of its subject.... a problematic, at times off-putting, but ultimately fascinating work." |
| 4. |
|
04/20/11 |
Very Good |
 "...it made a stronger impression on me than anything Spurlock has done before... accessible, lovable, mainstream..." |
| 5. |
|
11/03/10 |
Very Good |
 "...fascinated by repetition, mistakes, awkward silences and the charged, quiet moments before and after performances. And it observes them all with a rapt, unblinking eye." |
| 6. |
|
09/10/10 |
Very Good |
 "...a performance art piece, an existential showbiz drama, a therapeutic exercise, an analysis of celebrity's impact on the self, and a glorified home movie.... strong stuff." |
| 7. |
|
03/22/13 |
Good (Not Great) |
 "...pretty good... I wish that writer-director Ana Piterbarg's film were as terrific as Mortensen's acting. The film is involving enough to hold your attention for two hours..." |
| 8. |
|
11/04/10 |
Good (Not Great) |
 "Perry never solves the stage-to-screen translation problem. But the path he has chosen is as intriguing as it is irksome, and it works better than you might expect." |
