| 1. |
|
05/17/13 |
Good (Not Great) |
"The filmmakers might have done better to commit to a single portrait and been more fearless about avoiding familiar oratory, but small steps are progress too." |
| 2. |
|
05/03/13 |
Moderate |
"...as it briskly shows the subjects' progress, broken up by dippy animations of neuron storms, it feels like a demonstration of a point." |
| 3. |
|
05/03/13 |
Weak |
"It is surprisingly boring to watch a movie being made, on the set or off, and a beleaguered production is not necessarily an exception.... unlovely..." |
| 4. |
|
04/26/13 |
Excellent |
"...a most lovely and meticulously handmade hodgepodge of art and feeling.... it memorializes the sweet angst of a certain kind of romantic limbo." |
| 5. |
|
04/26/13 |
Fair |
"...has that unfortunate double-edged quality of such singularly focused exercises: artful or, if the spell doesn't take, overwrought and even silly.... lacks bite..." |
| 6. |
|
04/12/13 |
Moderate |
"...takes a tack sympathetic to farmers in setting forth modern industrial farming's alternative, but it's still an advocacy film better suited for a class than for a cinema." |
| 7. |
|
04/05/13 |
Moderate |
"Ramaa Mosley and Tim Macy have game leads in Ms. Temple and the menschy Mr. Angarano. But the movie's best bits lose out to the requisite moral turnaround." |
| 8. |
|
04/05/13 |
Very Good |
"...a vivid portrait.... Ms. Davis retains an elegantly barbed wit.... Although the film approaches hagiography, she supplies a certain spark simply with her presence." |
| 9. |
|
04/05/13 |
Poor |
"...the filmmakers' aversion to coherent narrative and genuinely suspenseful visuals keeps the movie's mystery stew from hitting the spot." |
| 10. |
|
04/05/13 |
Moderate |
"Ms. Tobias's competent documentary doesn't quite rise to the challenge.... scenes of irrefutable drama can fade away when they feel like hurried backdrop to voice-over." |
| 11. |
|
03/29/13 |
Good (Not Great) |
"...as heartening as it is to see a slum child tutored about vicious cycles of adversity and using the buzzword 'partnership' with aplomb, the film comes to feel cut and dried." |
| 12. |
|
03/29/13 |
Fair |
"...embracing Opposites Day as a screenwriting principle.... its misguided flatness is perhaps its fatal flaw, not so much deadpan or existential as just monotonous." |
| 13. |
|
03/22/13 |
Poor |
"...a story so clichéd and brainless that it's almost more disturbing than laughable.... The performances dissolve instantly in the mind without a trace..." |
| 14. |
|
03/22/13 |
Moderate |
"Low-key to a fault... plunked somewhat unfortunately between the inspirational and the ordinary... surely there's more to say about Mr. Conde's art and life." |
| 15. |
|
03/15/13 |
Weak |
"Sweet in conception but a lost cause.... a fitful sidewalk daydream.... it might have been better off in a kid's-size portion as a short." |
| 16. |
|
03/15/13 |
Moderate |
"...despite its cultural detail and fetching leads, this Jamaican director's colorful debut feature is undone by ragged scene construction, weak acting and a scattered script." |
| 17. |
|
03/08/13 |
Good (Not Great) |
"...hybrid results feature occasional bold strokes alongside ad-pitch eye candy and sleeve-tugging.... didactic in arguing the need for more educational opportunity..." |
| 18. |
|
03/01/13 |
Very Good |
"Dan Sallitt lays down a customarily restrained mode of acting, but it's in the service of a rare lucidity about feeling." |
| 19. |
|
03/01/13 |
Weak |
"...this promisingly tragic tale is sunk by cartloads of context and an overbearing, slanted narration.... muddy explanations on basic points of fact don't help." |
| 20. |
|
02/22/13 |
Good (Not Great) |
"...a typically eye-catching, years-in-the-making chronicle of animal life that is tainted by the urge to anthropomorphize.... Nature-doc fans will recognize familiar sights..." |