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| 1. |
|
10/25/12 |
Good (Not Great) |
 "The cast is fine, especially the boys, and the cinematography lush and wistful, but the score is pure fromage and the storyline sacrifices tension for romance." |
| 2. |
|
08/30/12 |
Poor |
 "...doesn't offer anything new, let alone entertaining.... The only scary thing about this is that a film so derivative and contrived managed to get produced at all." |
| 3. |
|
07/26/12 |
Very Good |
 "...despite a verbose script and the kneejerk sexism of Pascal, the visual beauty and narrative simplicity make the film a pleasure." |
| 4. |
|
06/21/12 |
Very Good |
 "...an unusual film -- part documentary, part memoir... amidst the violence, a spirit of resistance prevails, providing hope of redemption." |
| 5. |
|
04/19/12 |
Very Good |
 "...a bittersweet, surreal urban fantasy.... something utterly unlike anything else happening in cinema today." |
| 6. |
|
03/01/12 |
Very Good |
 "The atmospheric tension, helped along by strong performances, ramps up slowly, leading to a shocking denouement full of visceral, Dionysian imagery." |
| 7. |
|
02/02/12 |
Moderate |
 "...atmospheric (thanks to the terrific hotel setting) and frequently funny; but the plot line is choppy, the dialogue often unnecessary, and the scares too sparse." |
| 8. |
|
09/01/11 |
Good (Not Great) |
 "...a smart, icy thriller.... sometimes feels implausible and overwrought, but the film's taut pacing and artful editing make for a chilling and satisfying spy drama." |
| 9. |
|
08/18/11 |
Very Good |
 "Hathaway shines as always, Patricia Clarkson is a marvel... Scherfig's masterful treatment of silences, surfaces, and locations is worth watching." |
| 10. |
|
05/19/11 |
Good (Not Great) |
 "...the dialogue fizzles at times. But mostly this is a delicious mash-up of styles and genres: gothic, steampunk, Wild West, martial arts, dystopian fun." |
| 11. |
|
04/28/11 |
Outstanding |
 "...realistic dialogue, dreamy photography, and heady score revalorize the undead... eschews 'Zombieland's' hipster humor and 'Survival of the Dead's' odd provincialism." |
| 12. |
|
03/24/11 |
Very Good |
 "...a solid indie effort... a gritty, dreamy Everyman story, sure to resonate with viewers who grew up on the wrong side of the tracks." |
| 13. |
|
03/17/11 |
Outstanding |
 "Religion and terrorism are the film's subtle backdrops -- this is really a story of finding peace and purpose in a chaotic world." |
| 14. |
|
03/10/11 |
Good (Not Great) |
 "...promises sweet, sexy bloodlust, and teenage girls will gobble it up." |
| 15. |
|
02/10/11 |
Good (Not Great) |
 "The cultural trappings (costumes, music, Celtic languages, pagan rituals) are nicely authentic..." |
| 16. |
|
01/27/11 |
Moderate |
 "Those seeking gore will be disappointed; those interested in how a crisis of faith responds to a brush with the Devil will be intrigued.... Still, Hopkins is terrific..." |
| 17. |
|
01/13/11 |
Moderate |
 "The Eastern European locations are sumptuous and the costumes authentic, but the dialogue is anachronistic and the climax mindless..." |
| 18. |
|
09/23/10 |
Very Good |
 "It's not athletic, but these chefs do rely on skill and luck to make sure their creations and their patience don't crumble under the pressure." |
| 19. |
|
08/26/10 |
Moderate |
 "...ambitious but messy... the purity of the docu conceit falls apart thanks to the intrusion of a spooky score and deliberately eerie camera shots." |
| 20. |
|
07/02/09 |
Good (Not Great) |
 "...a sensual tale of dangerous love... like rustic French cuisine, it's satisfying and no more complicated than it needs to be." |
