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RACHEL SALTZ Movie Reviews

119 reviews, averaging 55.3% positive
page 1 of 6
Rachel Saltz's reviews, by score
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1. 09/07/12 Excellent "This is an excellent story, and Ms. Draper tells it clearly and stylishly, teasing out the interesting angles and repercussions.... uses split screens to powerful effect..."
2.

Patang (The Kite)

New York Times
06/15/12 Excellent "Mr. Bhargava's technique owes much to documentaries, not least the sense that the camera is capturing unguarded moments. Scenes feel loose and unstaged..."
3. 03/14/12 Excellent "Gerhard Richter may not fling paint at the canvas, Jackson Pollock-style, but as Corinna Belz shows in her documentary, he can be his own kind of action painter."
4. 12/29/10 Excellent "...excellent anime... There's a lovely, unhurried quality to Mr. Hosoda's storytelling, which nicely matches the clean, classically composed images of his outer story."
5. 03/13/13 Very Good "Mr. Dolan captures something specific about these two people and also something more universal about the rope-a-dope dance between sullen adolescent and parent."
6.

The Green Wave

New York Times
08/17/12 Very Good "By turns frustrating and moving... Yet for all its omissions and problems, 'The Green Wave' communicates certain basic truths effectively..."
7. 04/13/12 Very Good "...its drama unfolds simply, without explosive moments but not without emotion. Director Ann Hui and her two excellent leads keep the film buoyant."
8. 01/20/12 Very Good "This history is too recent to seem dry... the film gets an added emotional punch from interviews with former tenants, whose memories mix fondness with anger and loss."
9. 12/02/11 Very Good "...well made... You want to hear these thoughtful, articulate and sometimes self-lacerating men and women describe their experiences and traumas."
10.

Garbo: The Spy

New York Times
11/18/11 Very Good "Edmon Roch has a great story to tell, and he recounts it with the flair of a Hollywood spy movie... dramatic, entertaining, even funny in parts."
11. 06/01/11 Very Good "...interviews form the backbone of '!W.A.R.,' and like the film, they're passionate, contentious, funny, sincere, politically attuned."
12. 05/06/11 Very Good "...quietly assured... its focus on the boys, whose games and projects -- they keep trying to rescue the ball -- are treated with a sweetness that steers clear (mostly) of sentimentality."
13. 09/17/10 Very Good "Mr. Beesley's documentary is absorbing, and the rodeo provides the kind of action that the camera loves.... less a rah-rah sports film than a compassionate look at difficult lives in a difficult place."
14.

Udaan

New York Times
07/19/10 Very Good "...an impressive debut feature by Vikramaditya Motwane that covers familiar first-film ground with emotional conviction and freshness. A kind of Indian cousin to Truffaut's '400 Blows'... Mr. Motwane has an ability to present melodramatic material without the Bollywood-style melodrama."
15.

Raavan

New York Times
06/18/10 Very Good "...a richly atmospheric adaptation of the Indian epic 'The Ramayana'... features songs and dances... an eye-popping climactic battle... And that, folks, is entertainment."
16.

The Heretics

New York Times
10/09/09 Very Good "...gives a joyful sense of what it was like to be a feminist in the 1970s... focuses on a group of feminists, including Ms. Braderman, who took matters into their own hands: they formed an art collective and put out a magazine, Heresies..."
17. 05/15/13 Good "...handsomely shot... may not be fully satisfying as a documentary. But it has what any good movie needs: a star -- the ever-game soprano Natalie Dessay."
18. 03/01/13 Good "...buoyant.... The interviews are mostly good and instructive, but the well-chosen historical footage is better."
19.

Talaash

New York Times
11/30/12 Good "The movie isn't a radical departure (or a radical anything). It's very much a Hindi film, but updated and delivered with conviction and style."
20. 11/14/12 Good "...sober and sobering... the film is fundamentally an inquiry into justice. It makes a forceful argument: Justice and the occupation are incompatible..."

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