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ROBERT ABELE Movie Reviews

Robert Abele
227 reviews, averaging 45.6% positive

 

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Date
Rating
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1.
Going Down In La-la Land
Los Angeles Times
05/18/12 Moderate "...settles for predictable tropes about fame-seeking when it could have fused 21st-century sexual mores and ripe-for-razzing starmaking politics into something much more potent."
2.
A Bag of Hammers
Los Angeles Times
05/18/12 Moderate "...thin, neatly folded, paper-airplane of a movie threatens to nose dive into tweeville as it depicts the carefree lives of best-bud scam artists..."
3.
Tonight You're Mine
Los Angeles Times
05/11/12 Moderate "If only the falling-in-love machinations and character details weren't so wispy, 'Tonight You're Mine' might have had more resonance. That said, the film has its moments..."
4.
The Road (2012)
Los Angeles Times
05/11/12 Good (Not Great) "...does a fair job of laying a spooky groundwork for the revelatory emotional sadism that lies behind most acts of evil; it just takes a bit of clunky exposition to get there."
5.
Mother's Day (2012)
Los Angeles Times
05/04/12 Weak "...the ready crackle of Rebecca DeMornay's studiously demonic performance brings welcome distraction from this otherwise crude litany of torture and wretched death."
6.
In the Family
Los Angeles Times
05/04/12 Outstanding "...marked by uncommon grace... these days, a movie so invested in the highs and lows of caring for others can only be a remarkable, cherished thing."
7. 04/27/12 Poor "...calls itself a documentary but is really a 90-minute PowerPoint presentation by motivational speaker Austin Vickers, who has the answer to the stress that's limiting your potential."
8.
Safe (2012)
Los Angeles Times
04/27/12 Good "There's nothing terribly original about 'Safe,' but it's a suitably grimy playground for action cinema's reigning pit bull."
9.
Sound of My Voice
Los Angeles Times
04/27/12 Very Good "...a nifty paranoid thriller with sharp commentary on our faction-centered society and the pitfalls of reinvention. Zal Batmanglij's tonal command is often unsettling..."
10. 04/27/12 Moderate "...a bruising, relentless experience, one more tiring than inspiring."
11.
My Way (Mai wei)
Los Angeles Times
04/20/12 Weak "...the nonstop adversity lacks any real sense of danger.... Why these two long-distance runners keep each other alive should be of front-and-center concern. Instead, 'My Way' is mostly an endurance test."
12.
Fightville
Los Angeles Times
04/20/12 Good (Not Great) "Although the underdog story feels artificially pumped-up early on, Epperlein and Tucker's psychological acuity merits some cage-match suspense."
13.
Deadline (2012)
Los Angeles Times
04/13/12 Poor "...has all the dramatic punch of a community theater production. Plodding, predictable, amateurishly staged and with wild swings in acting quality..."
14. 04/13/12 Good "...a fascinating story of fakery, even when it occasionally overreaches, as in the final TMZ-ish where-is-she-now shot, a moment better suited to a horror film than a thought-provoking documentary."
15.
Detention (2012)
Los Angeles Times
04/13/12 Poor "Exhausting before its first few minutes of whip-pans, smash cuts, coarsely self-referential jokes and on-screen text visuals is over... a patience-trying exercise..."
16.
We the Party
Los Angeles Times
04/06/12 Moderate "...in working so hard to be the adult who 'gets' kids yet lectures them at the same time, Van Peebles has ended up with a colorful but superficial mess."
17.
Delicacy (La Delicatesse)
Los Angeles Times
04/06/12 Good (Not Great) "...isn't going to set anybody's psyche on fire with its insights into grieving and emotional recovery, but as a crepe-thin romantic snack, it has its moments."
18.
Goon (2012)
Los Angeles Times
03/30/12 Weak "...monotonously lowbrow... a sloppy, unimaginative Cinderella story with more emphasis placed on profane locker room taunts than characterization or narrative..."
19.
Intruders (2012)
Los Angeles Times
03/30/12 Very Good "Bolstered by astute performances... artful and skillfully told... 'Intruders' trusts in the narrative richness of modulated creep.... The effect is both visceral and thoughtful..."
20.
Musical Chairs (2012)
Los Angeles Times
03/30/12 Good (Not Great) "Though there's plenty of movement and enthusiasm, director Susan Seidelman is content with a metronomic approach to manipulating our feelings..."

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