| 1. |
|
12/05/08 |
Fair |
"...having one of the biggest music stars on the planet as the third lead doesn't upset director Aaron Woodley's visually arresting but overly self-conscious glum-fest." |
| 2. |
|
01/16/09 |
Good (Not Great) |
"...can't help but connect occasionally with a winking gag, cleverly staged fracas, toe-tapping musical detour or welcome loitering on Deepika Padukone's radiant features." |
| 3. |
|
01/23/09 |
Weak |
"...has neither the glamour of Brian De Palma's referential nightmares or even the narrative fuel of the serial-killer-obsessed procedurals that dominate television." |
| 4. |
|
01/23/09 |
Good (Not Great) |
"It's got enough formulaic flair to make it a guilty-pleasure cousin of seaborne nailbiters 'Knife in the Water' and 'Dead Calm.' " |
| 5. |
|
03/13/09 |
Moderate |
"It's lost-in-life meets lust-for-life... most moviegoers could hand this emotionally stranded odd couple a road map of where they'll be by the closing credits." |
| 6. |
|
03/20/09 |
Weak |
"...undone by a deadly twofer: lack of trust in characterization coupled with single-minded faith in spelled-out messages.... a lost opportunity." |
| 7. |
|
03/27/09 |
Good (Not Great) |
"Durst's direction is overly earnest, heavy in long takes, atmosphere wise but scene foolish.... handsomely presentational but mostly an experiment in playing grown-up." |
| 8. |
|
04/03/09 |
Moderate |
"A meat purveyor becomes a sex club entrepreneur: It sounds like a bad joke, but it's the real-life story of Larry Levenson, a doughy, committed hound..." |
| 9. |
|
04/03/09 |
Weak |
"Seeming 10 years out of date... mixes navel-gazing slackerdom with amateur criminal high jinks to energetic if incoherent effect." |
| 10. |
|
04/10/09 |
Excellent |
"...an unexpectedly welcome form of dramatic escape... the psychological and physical grittiness becomes a coalescing power." |
| 11. |
|
04/17/09 |
Fair |
"...a handsomely shot low-budget film, flush with the moody pull of adolescent romance but as sputtering as an awkward teen in how it lays out its second-rate thriller elements.... begins to feel like a genre home invasion..." |
| 12. |
|
04/18/09 |
Poor |
"...a hopelessly slipshod, witless and repetitive business tale about the rise and fall of two fortune-seeking brothers..." |
| 13. |
|
04/24/09 |
Poor |
"...conjures up plenty of debauched tableaux with its photogenic, jaded showbiz denizens and hangers-on, but nary a reason for existing." |
| 14. |
|
05/01/09 |
Good |
"...a sober-hearted take on the righteous blow-back from whittled-away souls... rights itself with each return to the beautifully steely gaze of Abbass." |
| 15. |
|
05/01/09 |
Good |
"Burman may not be Fellini but he has an enjoyably frisky eye for comic detail and never takes his protagonist's dilemma so seriously that we lose the playfulness..." |
| 16. |
|
05/01/09 |
Very Good |
"Abbass can suggest more about the weight of the world with each tying on of a head scarf than many actors armed with reams of dialogue." |
| 17. |
|
05/08/09 |
Excellent |
"...pulses with life... a kind of travelogue of ambition and loserdom, from the rural clarity of a dirt pitch to the dangerous allure of the literal and figurative green." |
| 18. |
|
05/08/09 |
Weak |
"...you'll mostly be tapping your feet as a waiting measure for the next time 'Love N' Dancing' needs two people to step out on the floor." |
| 19. |
|
05/15/09 |
Fair |
"...outside of the manufactured oddities, Rachel Weisz's performance is the best thing in the movie: an old-school screwball turn of hypercurious pep." |
| 20. |
|
05/22/09 |
Good |
"...an exquisitely filmed piece of urban impressionism... a compelling monotony... one that's never quite pleasure, never quite pain and, therefore, never quite an experience." |