| 1. |
|
03/06/09 |
Poor |
"Alan Hruska's tin ear for dialogue remains unchanged, as does his penchant for clumsy Billy Wilder borrowings... 'Reunion' lacks even the misguided energy of his previous, genre-based efforts ('Nola,' 'The Warrior Class')..." |
| 2. |
|
11/28/12 |
Poor |
"...stodgy, amateurish.... aside from flashing lights and some anxious neck-craning, onscreen action is virtually non-existent." |
| 3. |
|
10/02/12 |
Poor |
"Unfortunately, with its unconvincing action, preachy script and flat performances, the pic winds up less moving than most typical journeyman documentaries on the subject." |
| 4. |
|
12/29/11 |
Poor |
"While there is a great deal of weeping and wailing going on in the town of Angels Crest, little of it is connected to a comprehensible or cohesive plot." |
| 5. |
|
11/17/11 |
Poor |
"...naive, amateurish... Some six or seven men (women conspicuously absent), including a mayor, an immigration lawyer, a congressman and a 'coyote,' offer views on immigration.... it's nothing new, affecting or articulate." |
| 6. |
|
11/10/11 |
Poor |
"Pairing Steve Guttenberg with an attractive girl half his age in a sitcom-like platonic relationship headed straight for the sheets borders on the delusional, particularly when the actor misses no opportunity to doff his shirt and flash his pumped-up pecs." |
| 7. |
|
10/20/11 |
Poor |
"...tosses together spare parts from assorted action genres... glued together with the characters' blind pursuit of money and sprinkled with reborn family values." |
| 8. |
|
08/04/11 |
Poor |
"...hits every meller cliche in the 'self-destructive rock star' playbook. Even Peter Fonda, typecast as an over-the-hill road manager, rings true only intermittently." |
| 9. |
|
07/29/11 |
Poor |
"...an unsettling mix of low-tech cinematic tricks and temporal reshufflings to simulate the process of enlightenment to sometimes laudable, usually ludicrous effect.... A certain dream logic struggles for expression..." |
| 10. |
|
06/24/11 |
Poor |
"...frenetic, ponderously overproduced... the movie is never sufficiently grounded for all the constant plot reversals to register as humorous or surprising.... generally fails to achieve any satisfyingly comical choreography." |
| 11. |
|
05/24/11 |
Poor |
"Woefully amateurish... High-concept, 'Hard Candy'-type two-handers require strong thesping and assured scripting, both absent here." |
| 12. |
|
03/14/11 |
Poor |
"Odd-couple road movie pairs a taciturn Asian-American singer-songwriter with the loudmouth TV actor hired to portray him.... relies completely on its actors' chemistry for momentum. Unfortunately, the two strike no sparks." |
| 13. |
|
02/17/11 |
Poor |
"...old-fashioned, poorly written, unevenly thesped, family-friendly tales of redemption starring beefy wrestlers and a bunch of kids... Lame..." |
| 14. |
|
12/13/10 |
Poor |
"...delivers wearisome brutality but little finesse.... directed by tyro helmer Anton Bormatov with neither dynamism nor ingenuity.... simply too old-fashioned..." |
| 15. |
|
12/08/10 |
Poor |
"...mannered, bloodless and appallingly thesped... aims for a level of sophistication miles beyond tyro scripter James Scott Linville's callow reach." |
| 16. |
|
10/07/10 |
Poor |
"A muddled script, spatially confounding direction and four thesps seemingly acting in four different movies are only a few of the problems with this misbegotten political thriller..." |
| 17. |
|
09/26/10 |
Poor |
"...the rape is grueling and degrading... Sarah Butler brings little to the table, reading as a cipher both before and after her brutalization..." |
| 18. |
|
04/18/09 |
Poor |
"...a creaky period piece glazed with arch gentility and ersatz quaintness.... the three principal geezers are encouraged to mug with a lack of subtlety..." |
| 19. |
|
06/26/08 |
Poor |
"Schickner appears perfectly willing, nay eager, to sacrifice subtlety, ambiguity, character development and tonal integrity on the altar of melodramatic desperation and pointedly meaningful wrap-ups." |
| 20. |
|
11/26/12 |
Weak |
"Lisa Kirk Colburn's focus is so single-mindedly laudatory that the whole collaborative process is reduced to people either helping or hindering the visiting genius." |