| 21. |
|
03/08/13 |
Moderate |
"...a work whose elegant atmospherics ultimately overwhelm the story, even with the terrific Vincent Cassel in the title role.... tastefully overwrought..." |
| 22. |
|
03/01/13 |
Good (Not Great) |
"Once the film has laid down its clumsy lessons in political history, the extraordinary trajectory of Shaw's derailed career kicks into focus.... the stuff of a great novel..." |
| 23. |
|
03/01/13 |
Good (Not Great) |
"If the romantic fate of the central triangle never matters, the sumptuous wistfulness of the filmmaking does.... Neave shapes his story as a double dose of unrequited love..." |
| 24. |
|
02/17/13 |
Good |
"Though Chanoch Ze'evi's creative choices don't always serve the material, his compassion for his subjects is clear, and their straightforward testimony is provocative." |
| 25. |
|
02/16/13 |
Good |
"Feel-good but not cloying, zippy but not frenetic, and refreshingly free of snark... takes a pleasingly retro-futuristic stance on matters of décor and attitude." |
| 26. |
|
02/15/13 |
Excellent |
"...sinuous and beguiling... Kiarostami embarks on a typically indirect but never rambling path... an elegant mystery that resonates beyond its final, jolting moment." |
| 27. |
|
02/15/13 |
Good (Not Great) |
"A vibe in no particular search of a plot.... The on-screen action never matters or fully engages... the self-conscious exercise in low-budget dress-up offers some rewards." |
| 28. |
|
02/08/13 |
Good (Not Great) |
"The earnest passages mostly just lie there; the film works best on its frilly, exuberant surface, as a valentine to streamline moderne, pop art and LA." |
| 29. |
|
02/08/13 |
Good |
"...the kids are anything but movie-cutesy... the movie often feels posed and inert. Even so, it strikes more than a few chords as it digs deeper than period cliché." |
| 30. |
|
01/28/13 |
Poor |
"...stupidity... The supposedly bold chances the assembled filmmakers take are mainly on the level of adolescent prank... notable for its off timing and lack of snap." |
| 31. |
|
01/28/13 |
Good |
"...for those open to the idea of a gently goofy mash-up, the film is strong on atmosphere and offers likably low-key, if somewhat bland, charms." |
| 32. |
|
01/18/13 |
Good (Not Great) |
"...efficiently told and features solid performances, but without juicy character detail, vise-grip suspense or black comic intensity, it unwinds as a boilerplate genre item." |
| 33. |
|
01/18/13 |
Good (Not Great) |
"There are slivers of wit embedded in the broad shtick... the farce is by turns fresh and fusty.... falls short of the intended hilarity..." |
| 34. |
|
01/18/13 |
Very Good |
"...the movie brims with incident and fantasy.... a wild and vivid ride and a spirited reminder of the kinship between Jewish and Arab cultural traditions." |
| 35. |
|
01/11/13 |
Very Good |
"...a view of Somali piracy that's both broader and more incisive than most mainstream news coverage... makes clear that one man's piracy is another's business as usual." |
| 36. |
|
01/11/13 |
Excellent |
"...a beguiling set of variations on a theme, a gossamer-light étude composed for delight rather than dissection." |
| 37. |
|
01/04/13 |
Outstanding |
"The chemistry between the two leads is a razor's-edge dance: feral, childish, tender and always complex." |
| 38. |
|
12/21/12 |
Excellent |
"...a jewel-bright whoosh of a ride through nighttime New Orleans... it moves easily between abstraction and dramatic mystery..." |
| 39. |
|
12/14/12 |
Very Good |
"...incisive and absorbing... Richard Hankin's evenhanded film builds a concise, enlightening account from a decade of confusion." |
| 40. |
|
12/14/12 |
Moderate |
"...the payoff is small.... In its escalating mayhem and intended stupidity, the movie pulls off a number of visual jokes without generating much in the way of originality." |