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POM WONDERFUL PRESENTS: THE GREATEST MOVIE EVER SOLD Movie Reviews
Documentary, entirely financed through product placement, about the pervasive nature of advertising and product placement in our society. Cast: Morgan Spurlock Director: Morgan Spurlock Release Date: April 22, 2011 DVD Release: August 23, 2011 From: Sony Classics Rating: PG-13 Length: 1 hr 28 min
Out On DVD
AUGUST 23, 2011

POM Wonderful Presents: The Greatest Movie Ever Sold, Very Good Reviews (Doc) Key Cities

Updated: Mon, Aug 6 2012, 00:29am
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POM Wonderful Presents: The Greatest Movie Ever Sold

POM Wonderful Presents: The Greatest Movie Ever Sold played in key cities to very good reviews. • Walter Addiego wrote in the San Francisco Chronicle, "Spurlock is playing an amusing game by courting these firms, who play along though aware, I'm sure, that he's not exactly a corporate kind of guy." • And John Hartl wrote in the Seattle Times, "...confident and funny..."   More Reviews Below...

POM Wonderful Presents: The Greatest Movie Ever Sold
Positive Reviews
(43 Reviews, reviews below)
 Compare This Movie... 
TotalBroad
National
Press
Local
News-
papers
Alter–
native/
Indie
High-
Brow
Press
Movie
Industry
NY/LA
Chicago
Toronto
Key
Cities
Total
B.O.
71.9% 76.3% 63.7% 66.7% 78.0% 80.5% 63.6% 70.4% $638K
Averages: 51.7% 54.3% 51.9% 47.1% 45.9% 49.0% 49.7% 54.4%
* 71.9% positive reviews out of 100%

Reviews & Quotes (43)


BROAD NATIONAL PRESS (6 Reviews)

Christy Lemire, Associated Press: VERY GOOD (cg)
"Spurlock's film is hugely entertaining... he also doesn't connect the dots sufficiently enough to prove that product placement actually influences consumer habits." (See all of Christy Lemire's reviews...) (Read the full review...)
714 words, 04/21/11

Lisa Schwarzbaum, Entertainment Weekly: GOOD (cg)
"...rowdy, toothless, superficially informative... avoids answering Spurlock's own question: Is he selling out or buying in?" (See all of Lisa Schwarzbaum's reviews...) (Read the full review...)
69 words, 04/22/11

Peter Travers, Rolling Stone: OUTSTANDING (cg)
"Are we going to hell in a branded handbasket? This movie provides food for thought... Morgan Spurlock makes you laugh till it hurts." (See all of Peter Travers's reviews...) (Read the full review...)
208 words, 04/15/11

Claudia Puig, USA Today: OUTSTANDING (cg)
"...winning and very funny... equal parts relevant and amusing and simultaneously commercial and subversive." (See all of Claudia Puig's reviews...) (Read the full review...)
473 words, 04/22/11

Roger Ebert, Chicago Sun-Times: GOOD (NOT GREAT) (cg)
"...quick and cheerful, and Spurlock is engaging.... I'm not sure he himself ever defined a purpose greater than raising the money on camera, but then he never claimed to." (See all of Roger Ebert's reviews...) (Read the full review...)
506 words, 04/22/11

James Berardinelli, Reel Views: VERY GOOD (cg)
"...isn't as compelling as 'Super Size Me.' However, its unique take on a common subject lends freshness to the familiar..." (See all of James Berardinelli's reviews...) (Read the full review...)
937 words, 04/21/11
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NEW YORK/LOS ANGELES/CHICAGO/TORONTO (13 Reviews)

Stephen Holden, New York Times: VERY GOOD
"...a documentary comedy in the Michael Moore mode but without a political or moral agenda.... Mr. Spurlock is really a gleeful participant in the corruption..." (See all of Stephen Holden's reviews...) (Read the full review...)
909 words, 04/22/11

Joe Neumaier, New York Daily News: WEAK (cg)
"Only the extremely naive will be shocked. So, Madison Avenue and Hollywood are money-hungry? Got it. Next scandal, please." (See all of Joe Neumaier's reviews...) (Read the full review...)
174 words, 04/22/11

Betsy Sharkey, Los Angeles Times: VERY GOOD
"Spurlock creates a good time along with some surprisingly salient observations as he tries to keep his balance on this very slippery slope." (See all of Betsy Sharkey's reviews...) (Read the full review...)
815 words, 04/22/11

Lou Lumenick, New York Post: POOR (cg)
"...very light on actual information.... I'm inclined to agree with an interviewee, who says, 'All the people who sponsor this film are idiots.' " (See all of Lou Lumenick's reviews...) (Read the full review...)
490 words, 04/22/11

Michael Phillips, Chicago Tribune: GOOD (NOT GREAT) (cg)
"Spurlock's film is mainly out to entertain, and it does. But leaving it I wasn't sure what Spurlock really thought about any of this beyond: Get this. Isn't this wild?" (See all of Michael Phillips's reviews...) (Read the full review...)
390 words, 04/22/11

Rafer Guzman, New York Newsday: MODERATE (cg)
"A funny idea, but the joke is ultimately on Spurlock, and you." (See all of Rafer Guzman's reviews...) (Read the full review...)
320 words, 05/07/11

David Edelstein, New York Magazine: VERY GOOD
"...a fun, wiseass idea for a documentary... It's surprising that it plays so entertainingly, given that Spurlock's quest is essentially beside the point." (See all of David Edelstein's reviews...) (Read the full review...)
411 words, 04/18/11

Roger Ebert, Chicago Sun-Times: GOOD (NOT GREAT) (cg)
"...quick and cheerful, and Spurlock is engaging.... I'm not sure he himself ever defined a purpose greater than raising the money on camera, but then he never claimed to."
(See all of Roger Ebert's reviews...) (Read the full review...)
506 words, 04/22/11

Mark Holcomb, Village Voice/LA Weekly: VERY GOOD
"As agreeable as it is insidious... Spurlock's best, most formally inventive project... like watching a beloved pet devour itself tail-first, deliberately and with alarming grace." (See all of Mark Holcomb's reviews...) (Read the full review...)
202 words, 04/20/11

Peter Howell, Toronto Star: VERY GOOD (cg)
"No corporations were harmed in the making of Morgan Spurlock's latest documentary provocation, although a few may have been a trifle embarrassed." (See all of Peter Howell's reviews...) (Read the full review...)
712 words, 05/06/11

Guy Dixon, Toronto Globe & Mail: GOOD (NOT GREAT) (cg)
"Aside from the adrenalin rush of chasing down the story, there's very little to get hearts pounding or stirred... can be as shallow as the marketing Spurlock's ridiculing." (See all of Guy Dixon's reviews...) (Read the full review...)
562 words, 05/06/11

Norman Wilner, Toronto Now: WEAK (cg)
"...over and over again: Spurlock sets the terms of a sponsor's ad buy, delivers on those terms within the movie, and waits for the audience's knowing laughter." (See all of Norman Wilner's reviews...) (Read the full review...)
201 words, 05/05/11

KEY CITIES (14 Reviews)

Michael O'Sullivan, Washington Post: VERY GOOD (cg)
"...balances a serious subject -- rampant commercialization -- with great good humor. It's food for thought that's fun to eat." (See all of Michael O'Sullivan's reviews...) (Read the full review...)
639 words, 04/22/11

Steven Rea, Philadelphia Inquirer: VERY GOOD (cg)
"Morgan Spurlock gets to have his cake and eat it, too. And then sell it, shamelessly." (See all of Steven Rea's reviews...) (Read the full review...)
343 words, 04/15/11

Roger Moore, Orlando Sentinel: VERY GOOD (cg)
"...if you haven't been paying close attention to what's being sold to you on your favorite movies, TV shows and music videos, you will after seeing this." (See all of Roger Moore's reviews...) (Read the full review...)
603 words, 05/06/11

Colin Covert, Minneapolis Star-Tribune: GOOD (NOT GREAT) (cg)
"...about the evils of product placement financed entirely through product placement?... sounds like an ingenious ploy... Alas, the film never gets its lasso knotted." (See all of Colin Covert's reviews...) (Read the full review...)
291 words, 04/29/11

Bill Goodykoontz, Arizona Republic: EXCELLENT (cg)
"There are lots of laughs - a commercial Spurlock makes for Mane 'n Tail shampoo is hilarious - and the band OK Go contributes a terrific theme song." (See all of Bill Goodykoontz's reviews...) (Read the full review...)
524 words, 04/22/11

Ethan Gilsdorf, Boston Globe: MODERATE (cg)
"The moment Spurlock decided to make 'The Greatest Movie Ever Sold,' he checked any artistic integrity at the door and began his tumble from any moral high ground." (See all of Ethan Gilsdorf's reviews...) (Read the full review...)
585 words, 04/22/11

Stephen Whitty, New Jersey Star-Ledger: MODERATE (cg)
"...too much of the movie is just scene after scene of Spurlock meeting with high-priced consultants to talk about 'brand identity' and other euphemisms..." (See all of Stephen Whitty's reviews...) (Read the full review...)
533 words, 04/22/11

Walter Addiego, San Francisco Chronicle: VERY GOOD (cg)
"Spurlock is playing an amusing game by courting these firms, who play along though aware, I'm sure, that he's not exactly a corporate kind of guy." (See all of Walter Addiego's reviews...) (Read the full review...)
431 words, 04/22/11

John Hartl, Seattle Times: VERY GOOD (cg)
"...confident and funny... this could be the most self-referential movie ever: literally a 90-minute narrative about its own creation." (See all of John Hartl's reviews...) (Read the full review...)
377 words, 04/29/11

Shawn Levy, Portland Oregonian: VERY GOOD (cg)
"...doesn't offer a way for viewers to fight back... perhaps the wisest choice is truly not to rile the audience but merely to clue it in. And that it does, charmingly." (See all of Shawn Levy's reviews...) (Read the full review...)
600 words, 04/29/11

Joe Williams, St. Louis Post-Dispatch: VERY GOOD (cg)
"Morgan Spurlock, the affable activist behind 'Super Size Me,' aims a not particularly harsh spotlight on product placement..." (See all of Joe Williams's reviews...) (Read the full review...)
311 words, 05/20/11

Steve Persall, St. Petersburg Times: VERY GOOD (cg)
"...doesn't provoke many feelings beyond amusement.... It's no shock that advertisers sneak products into movies and television shows..." (See all of Steve Persall's reviews...) (Read the full review...)
383 words, 05/26/11

Tom Long, Detroit News: VERY GOOD (cg)
"...pretty funny, enlightening and frightening stuff, although the joke starts to wear toward the end." (See all of Tom Long's reviews...) (Read the full review...)
310 words, 05/20/11

Rene Rodriguez, Miami Herald: GOOD (NOT GREAT) (cg)
"Morgan Spurlock is no Michael Moore... the movie leaves you wishing there had been more journalistic exploration of the subject and less self-promotion." (See all of Rene Rodriguez's reviews...) (Read the full review...)
569 words, 03/07/11

ALTERNATIVE/INDIE PRESS (9 Reviews)

Mark Holcomb, Village Voice/LA Weekly: VERY GOOD
"As agreeable as it is insidious... Spurlock's best, most formally inventive project... like watching a beloved pet devour itself tail-first, deliberately and with alarming grace." (See all of Mark Holcomb's reviews...) (Read the full review...)
202 words, 04/20/11

Katey Rich, Cinema Blend: OUTSTANDING (cg)
"...superbly entertaining... a wild adventure through the advertising world." (See all of Katey Rich's reviews...) (Read the full review...)
721 words, 01/23/11

Brett Michel, Boston Phoenix: MODERATE (cg)
"...a concept in search of a movie. At times, it can be quite entertaining -- borderline insightful, even." (See all of Brett Michel's reviews...) (Read the full review...)
169 words, 04/21/11

Tasha Robinson, AV Club: VERY GOOD (cg)
"...gimmicky, disconnected... it still amounts to a lively essay on advertising that lands somewhere between investigative journalism and a lightweight lifestyle blog." (See all of Tasha Robinson's reviews...) (Read the full review...)
448 words, 04/21/11

Stephanie Zacharek, Movieline: MODERATE (cg)
"There's nothing less controversial than a documentary filmmaker pretending to be controversial.... at least Spurlock's energetic about telling us stuff that's old." (See all of Stephanie Zacharek's reviews...) (Read the full review...)
865 words, 04/21/11

Jesse Cataldo, Slant: MODERATE (cg)
"...ultimately stunted by the fact that Spurlock is less interested in pursuing it than congratulating himself for having come up with this idea." (See all of Jesse Cataldo's reviews...) (Read the full review...)
476 words, 04/17/11

Norman Wilner, Toronto Now: WEAK (cg)
"...over and over again: Spurlock sets the terms of a sponsor's ad buy, delivers on those terms within the movie, and waits for the audience's knowing laughter."
(See all of Norman Wilner's reviews...) (Read the full review...)
201 words, 05/05/11

Curt Holman, Atlanta Creative Loafing: GOOD (NOT GREAT) (cg)
"Spurlock doesn't dig very deeply, but when the film ends with a big push, you feel a little queasy, rather than mock-triumphant." (See all of Curt Holman's reviews...) (Read the full review...)
479 words, 04/27/11

HIGHBROW PRESS (4 Reviews)

Joe Morgenstern, Wall Street Journal: EXCELLENT
"...exuberant..." (See all of Joe Morgenstern's reviews...) (Read the full review...)
296 words, 04/22/11

Stephen Holden, New York Times: VERY GOOD
"...a documentary comedy in the Michael Moore mode but without a political or moral agenda.... Mr. Spurlock is really a gleeful participant in the corruption..."
(See all of Stephen Holden's reviews...) (Read the full review...)
909 words, 04/22/11

Betsy Sharkey, Los Angeles Times: VERY GOOD
"Spurlock creates a good time along with some surprisingly salient observations as he tries to keep his balance on this very slippery slope." (See all of Betsy Sharkey's reviews...) (Read the full review...)
815 words, 04/22/11

Matt Zoller Seitz, Salon: VERY GOOD
"...it made a stronger impression on me than anything Spurlock has done before... accessible, lovable, mainstream..." (See all of Matt Zoller Seitz's reviews...) (Read the full review...)
1,439 words, 04/20/11

MOVIE INDUSTRY (6 Reviews)

Justin Chang, Daily Variety: GOOD
"...a consistently amusing and not entirely vacuous stunt.... Wobbly, uneven and madly self-referential, pic loses some of its comic momentum as it progresses..." (See all of Justin Chang's reviews...) (Read the full review...)
805 words, 01/23/11

Kirk Honeycutt, Hollywood Reporter: OUTSTANDING
"One of the funniest documentaries you'll ever see." (See all of Kirk Honeycutt's reviews...) (Read the full review...)
792 words, 01/22/11

Betsy Sharkey, Los Angeles Times: VERY GOOD
"Spurlock creates a good time along with some surprisingly salient observations as he tries to keep his balance on this very slippery slope."
(See all of Betsy Sharkey's reviews...) (Read the full review...)
815 words, 04/22/11

Emanuel Levy, Cinema 24/7: EXCELLENT (cg)
"...witty and entertaining... unveils the marketing process of product placement in entertainment, offering invaluable insights into the different phases of it." (See all of Emanuel Levy's reviews...) (Read the full review...)
454 words, 03/16/11

Stephen Holden, New York Times: VERY GOOD
"...a documentary comedy in the Michael Moore mode but without a political or moral agenda.... Mr. Spurlock is really a gleeful participant in the corruption..."
(See all of Stephen Holden's reviews...) (Read the full review...)
909 words, 04/22/11

Joe Morgenstern, Wall Street Journal: EXCELLENT
"...exuberant..." (See all of Joe Morgenstern's reviews...) (Read the full review...)
296 words, 04/22/11
(cg) = based on the critic's grade

Review Mixture
15.7 Percentage Points Average Difference Between Reviews
(Norm is 18.4pp; <18.4pp = More Consistent; >18.4pp = More Mixed)
POM Wonderful Presents: The Greatest Movie Ever Sold

POM Wonderful Presents: The Greatest Movie Ever Sold's reviews are separated by an average 15.7 percentage points. The norm for this measure is 18.4 percentage points. Less than 18.4 indicates more consistent reviews; greater than 18.4 indicates more mixed reviews. In the chart below, each dot represents a review, with the dots at the top more positive than the dots at the bottom. From left to right, the dots represent reviews in big, bigger and biggest publications. Roll over each dot for more detail.

POM Wonderful Presents: The Greatest Movie Ever Sold
(43 reviews)
Roll over dots for each review
Broad National   Alternative/Indie   Highbrow Press   Key Cities
NY, LA, Chicago, & Toronto Movie Industry  
Outstanding
Very Good
Good
Moderate
Weak
Poor
Reviews
Outstanding
Very Good
Good
Moderate
Weak
Poor
Reviews
Big
Publications
>Bigger
Publications
>Biggest
Publications
Coverage, Volume & Length
POM Wonderful Presents: The Greatest Movie Ever Sold

Coverage: POM Wonderful Presents: The Greatest Movie Ever Sold's reviews cover 61.3% of potential readers (average is 67.9%). Volume: The film's reviews total 21,771 words in volume (average is 20,194 words). Length: The film's reviews average 506 words in length (the norm is 517 words).

POM Wonderful Presents: The Greatest Movie Ever Sold
Coverage, Volume & Length
(43 Reviews, reviews below)
TotalBroad
National
Press
Local
News-
papers
Alter–
native/
Indie
High-
Brow
Press
Movie
Industry
NY/LA
Chicago
Toronto
Key
Cities
Total
B.O.
Coverage:
Volume:
Length:
59.6%
21,771
506
44.2%
2,907
485
98.3%
11,377
495
95.3%
3,796
422
58.0%
3,459
865
100.0%
4,071
679
96.1%
5,927
456
100.0%
6,499
464
$638K
Averages: 67.9%
20,194
517
65.9%
3,293
468
80.7%
10,360
518
82.0%
3,545
448
58.6%
2,460
626
85.2%
3,381
674
84.6%
5,870
497
73.2%
2,799
533
Opening Day Reviews
Reviews Broke 56.9 Hours Before Release (Norm is 1.2 Release)
POM Wonderful Presents: The Greatest Movie Ever Sold

POM Wonderful Presents: The Greatest Movie Ever Sold's reviews on average broke 56.9 hours before opening. Norm for this measure is 1.2 hours before. The chart below shows reviews on opening day and the days before and after opening; the left side is earlier and the right side is later. The red bars extending above the horizontal mid-line represent more positive reviews, and the red bars extending below represent more negative reviews. The white space/red bar in the middle is POM Wonderful Presents: The Greatest Movie Ever Sold's opening day. Click on any bar for a list of the reviews for that day.

POM Wonderful Presents: The Greatest Movie Ever Sold
(43 reviews, click on bars for reviews)
M O R E    P O S I T I V E    R E V I E W S
E
A
R
L
I
E
R
L
A
T
E
R
M O R E    N E G A T I V E    R E V I E W S
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