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| 1. |
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05/21/12 |
Good |
 "...survives with the original's spirit largely intact.... so openly nonsensical, with its own rules so arbitrarily applied, that scrutiny is a killjoy.... at its best when it simply owns its own absurdity." |
| 2. |
|
05/18/12 |
Good |
 "Good-humored and endearing, full of energy and color if not quite Pixar-level invention... A bit crammed but not too crowded, zipping along at a well-modulated, rarely frenetic pace..." |
| 3. |
|
05/16/12 |
Good |
 "...a universally appealing tale of teenage romance... Wes Anderson's stylized approach masks the young actors' inexperience, while embracing a familiar genre..." |
| 4. |
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05/16/12 |
Good |
 "...sturdy bio-docu.... a sensational story that many will think they know, but don't... the story itself overcomes the occasional misfire..." |
| 5. |
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05/12/12 |
Fair |
 "It's got killer fish, stereoscopy and boobs aplenty. Less tongue-in-cheek than its 2010 predecessor and more tongue-hanging-out-drooling..." |
| 6. |
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05/11/12 |
Good (Not Great) |
 "...non-offending... Rather than challenging audience prejudices, Baron Cohen exploits them by presenting this ruthless world leader as an object of scorn and ridicule -- the easiest of targets." |
| 7. |
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05/10/12 |
Good (Not Great) |
 "Helmer Kirk Jones ('Nanny McPhee') does a solid job negotiating the material and managing the few tonal shifts when an occasional dark moment emerges..." |
| 8. |
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05/10/12 |
Moderate |
 "...delivers the basic goods, if not much more, as formulaic, functional guys'-night-in entertainment, providing employment to many shirtless, no-necked actors.... plot points fall into place with efficiency if little surprise." |
| 9. |
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05/10/12 |
Good |
 "...sustains interest through the smooth efficiency of its storytelling and the engaging performances of its lead players." |
| 10. |
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05/09/12 |
Good (Not Great) |
 "...eventually pays off, displaying just enough narrative ingenuity to compensate for a cinematically crude and logistically sketchy deployment of the requisite blood-and-guts mayhem." |
| 11. |
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05/09/12 |
Fair |
 "...never finds its own groove, alternating between high-school dramedy and overworked-single-mom narratives without ever really becoming a mother-and-daughter story until the closing scenes." |
| 12. |
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05/08/12 |
Good (Not Great) |
 "Half posthumous love letter, half historical re-enactment... revisits Israel's near-mythic 1976 hostage rescue at Entebbe through the eyes of those who survived it, and one who didn't..." |
| 13. |
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05/07/12 |
Fair |
 "...an extravagantly empty postmodern artifact, an object lesson in the perils of camping up a property that had no shortage of camp appeal to begin with." |
| 14. |
|
05/07/12 |
Moderate |
 "A comedy about acting your age, or not... The leads are likable enough, particularly the droll Todd Grinnell, but the material simply isn't strong enough to let them create full-blooded characters." |
| 15. |
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05/07/12 |
Good |
 "Maintaining an admirably straight face, this fist-flying flashback is good fun for fanboy types who take its myriad absurdities with the requisite grain of salt." |
| 16. |
|
05/06/12 |
Poor |
 "...a shapeless and charmless teen-skewing trifle stocked with trendy slanguage and social-network gimcracks that make it seem like something four years past its expiration date.... plays like a mash-up of three or four segments of an ABC Family sitcom..." |
| 17. |
|
05/06/12 |
Very Good |
 "...follows novelist W.G. Sebald's path with only occasional detours, while intermittently glimpsed talking heads fade in and out of artful black-and-white landscapes." |
| 18. |
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05/03/12 |
Weak |
 "...a contrived suspenser... Samuel L. Jackson offers a performance that could be labeled Swift's Premium and sold by the pound.... more than a few melodramatic scenes are quite funny, intentionally or not." |
| 19. |
|
05/02/12 |
Good |
 "...one of Amos Kollek's more affecting films.... about confronting perceived failure and depression, being grateful for what one has, and getting a clue as to the degree of one's own unhappiness." |
| 20. |
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04/28/12 |
Very Good |
 "...isn't just about stolen art: It's about cultural skulduggery, political sleaze, institutional hypocrisy and the virtues of persistence.... helmer Andrew Shea finds a lot of ugly stuff..." |
