| 1. |
|
05/17/13 |
Very Good |
"More philosophy than film at times, it asks questions without expecting easy answers.... Some of the responses it collects are horrifying." |
| 2. |
|
05/17/13 |
Moderate |
"It promises little, and half-heartedly delivers." |
| 3. |
|
05/17/13 |
Very Good |
"It's director Alice Winocour who really impresses. The sets are crammed with 19th-century atmosphere... a dark, and rather disturbing debut." |
| 4. |
|
05/17/13 |
Outstanding |
"...completely understands the sisterly support and emotional bonds those deep friendships can engender.... casually charming..." |
| 5. |
|
05/15/13 |
Outstanding |
"Pine is very good as young Kirk... Karl Urban and Zachary Quinto create plausible, alternate versions of Bones and Spock... Saldana takes Uhura to a new level..." |
| 6. |
|
05/10/13 |
Moderate |
"...slightly absurd.... The real star of any Baz Luhrmann film must be Baz Luhrmann. And he wears out his welcome very early." |
| 7. |
|
05/10/13 |
Good (Not Great) |
"Polley is a good filmmaker but in the end, this feels less like a film than a family album -- and one best appreciated, not by us, but by the Polleys still to come." |
| 8. |
|
05/10/13 |
Poor |
"One character's corporate office looks like an apartment; another's seems to be a broom closet. A major scene is patched together out of mismatched closeups..." |
| 9. |
|
05/10/13 |
Good (Not Great) |
"...does have some truly great footage of the sisters.... But will you know Venus and Serena any better after watching this movie than you did before? Probably not." |
| 10. |
|
05/10/13 |
Weak |
"...just pounding music, and obvious dialogue and a few pretty travelogue shots of Chile.... on the seismic scale of entertainment, it registers a 1.5." |
| 11. |
|
05/03/13 |
Very Good |
"...captures that heady mix of a tumultuous era and a tempestuous age that led so many youngsters into mind-broadening revelations." |
| 12. |
|
05/03/13 |
Very Good |
"...even with its flaws and occasional flat-footed choices, this is still a rare movie for grownups." |
| 13. |
|
05/03/13 |
Outstanding |
"...watches rich, foolish, selfish people tearing themselves and each other apart. And watches them through the unblinking eyes of a child." |
| 14. |
|
05/03/13 |
Moderate |
"...the movie death count rises. The drama, though, stays flat.... there's not much style here, beyond the uniformly good acting, and even less of a point." |
| 15. |
|
05/02/13 |
Good (Not Great) |
"...as slickly enjoyable as all the effects are, there's something empty about the film.... It has neither the emotionalism of the first film, nor the flashy villains of the second." |
| 16. |
|
04/26/13 |
Very Good |
"...may be the best movie Michael Bay's ever made. And suggests that, if he just kept his toys put away a little longer, someday he might even make a better one." |
| 17. |
|
04/26/13 |
Very Good |
"Nichols' next film will likely be even better -- and so will the one after that. Because this isn't just a movie. It's the firm confirmation of a career." |
| 18. |
|
04/26/13 |
Weak |
"...too dull, too crowded, too ugly." |
| 19. |
|
04/19/13 |
Very Good |
"...really rather funny.... the smart product of a comedy troupe called the Vacationeers. They've mostly done shorts before... a comedy about recognizable types..." |
| 20. |
|
04/19/13 |
Weak |
"...takes the ideas in '2001: A Space Odyssey,' 'Silent Running,' 'WALL-E' and 'Moon'.... Then throws out the good ones." |