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THE LIMITS OF CONTROL Movie Reviews
Drama about a mysterious loner whose activities remain meticulously outside the law. Cast: Isaach de Bankolé, Hiam Abbass, Gael García Bernal, Paz de la Huerta, Alex Descas, Bill Murray Director: Jim Jarmusch Release Date: May 1, 2009 DVD Release: November 17, 2009 From: Focus Features Rating: R Length: 1 hr 56 min
Out On DVD
NOVEMBER 17, 2009

The Limits of Control, Mixed Reviews Key Cities

Updated: Wed, Jan 9 2013, 08:14pm
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The Limits of Control

The Limits of Control played in key cities to mixed reviews. • Bill Goodykoontz wrote in the Arizona Republic, "Good, bad or indifferent, this much is certain... one of the strangest movies ever." • And Anthony Lane wrote in the New Yorker, "...the smartest option would be to match the director cool for cool and walk out of his lovely, exasperating story with twenty minutes to go..."  More Reviews Below...

The Limits of Control
Positive Reviews
(35 Reviews, reviews below)
 Compare This Movie... 
TotalBroad
National
Press
Local
News-
papers
Alter–
native/
Indie
High-
Brow
Press
Movie
Industry
NY/LA
Chicago
Toronto
Key
Cities
Total
B.O.
49.5% 49.8% 48.4% 69.7% 45.4% 43.2% 59.4% 41.5% $425K
Averages: 51.7% 54.3% 51.9% 47.1% 45.9% 49.0% 49.7% 54.4%
* 49.5% positive reviews out of 100%

Reviews & Quotes (35)


BROAD NATIONAL PRESS (5 Reviews)

Leah Rozen, People: WEAK (cg)
"...cool look, blah content.... a mysterious loner (Isaach De Bankolé) flits through scenic European towns, rendezvousing with gabby strangers..." (See all of Leah Rozen's reviews...) (Read the full review...)
31 words, 04/30/09

Mary Pols, Time: EXCELLENT
"It's profound really... Oh wait, here she comes again. Still naked. And Lone Man is still not going for it, because he doesn't do sex while he's working." (See all of Mary Pols's reviews...) (Read the full review...)
790 words, 05/01/09

Owen Gleiberman, Entertainment Weekly: FAIR (cg)
"...toys with conventions of suspense from Hitchcock to 'Point Blank,' yet without ever turning those conventions into anything more than an academic facsimile of a movie." (See all of Owen Gleiberman's reviews...) (Read the full review...)
262 words, 05/01/09

Christy Lemire, Associated Press: WEAK (cg)
"...insufferably pretentious.... all these mind-numbing proceedings are at least shot beautifully by Christopher Doyle, Wong Kar-wai's frequent cinematographer..." (See all of Christy Lemire's reviews...) (Read the full review...)
530 words, 04/30/09

Claudia Puig, USA Today: WEAK (cg)
"...likely to confound and annoy.... plods at a glacial pace. Characters make pronouncements, rather than conversing or interacting with one another." (See all of Claudia Puig's reviews...) (Read the full review...)
423 words, 05/01/09
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NEW YORK/LOS ANGELES/CHICAGO/TORONTO (10 Reviews)

Manohla Dargis, New York Times: GOOD (NOT GREAT)
"...a Minimalist exercise in the key of cool... a nondramatic work best appreciated as a pure image-and-sound event." (See all of Manohla Dargis's reviews...) (Read the full review...)
982 words, 05/01/09

Roger Ebert, Chicago Sun-Times: POOR (cg)
"Jarmusch is making some kind of a point. I think the point is that if you strip a story down to its bare essentials, you will have very little left." (See all of Roger Ebert's reviews...) (Read the full review...)
639 words, 05/07/09

Betsy Sharkey, Los Angeles Times/Chicago Tribune: OUTSTANDING
"...will leave some convinced the director is merely self-indulgent, and others deeply satisfied. I fall into the deeply satisfied camp..." (See all of Betsy Sharkey's reviews...) (Read the full review...)
649 words, 05/01/09

Lou Lumenick, New York Post: WEAK (cg)
"...one of those movies that's too cool to have a plot.... The film is essentially shapeless (if impeccably photographed by the great Christopher Doyle) until the final 20 minutes." (See all of Lou Lumenick's reviews...) (Read the full review...)
426 words, 05/01/09

David Edelstein, New York Magazine: POOR
"It's unfair to call Jim Jarmusch's 'The Limits of Control' the emptiest movie ever made but I wrote that in my notebook as I struggled to stay awake." (See all of David Edelstein's reviews...) (Read the full review...)
97 words, 05/04/09

Liam Lacey, Toronto Globe & Mail: MODERATE (cg)
"...pretty to look at, but what the hell are they talking about?... What a drag it is to descend from coolly blank to boringly meaningful." (See all of Liam Lacey's reviews...) (Read the full review...)
675 words, 05/22/09

J. Hoberman, Village Voice/LA Weekly: OUTSTANDING
"The contents of the package are unknowable; the twine that wraps around its enigma is everything." (See all of J. Hoberman's reviews...) (Read the full review...)
726 words, 04/29/09

Norman Wilner, Toronto Now: GOOD (NOT GREAT) (cg)
"I didn't mind sitting through the thing, even as I felt myself tiring of it in the final reel. A filmmaker as idiosyncratic and expressive as Jarmusch deserves a little indulgence..." (See all of Norman Wilner's reviews...) (Read the full review...)
277 words, 05/21/09

KEY CITIES (12 Reviews)

Dan Zak, Washington Post: POOR (cg)
"...reveals the limits of director Jim Jarmusch... has no emotion, no compelling characters, no unity of effect and, consequently, no good reason to be seen." (See all of Dan Zak's reviews...) (Read the full review...)
628 words, 05/08/09

Bill Goodykoontz, Arizona Republic: WEAK (cg)
"Good, bad or indifferent, this much is certain... one of the strangest movies ever." (See all of Bill Goodykoontz's reviews...) (Read the full review...)
357 words, 05/15/09

Mick LaSalle, San Francisco Chronicle: POOR (cg)
"...contains all the wonderful things that only Jim Jarmusch can do but lacks some of the necessary things that Jarmusch either can't or won't do." (See all of Mick LaSalle's reviews...) (Read the full review...)
614 words, 05/08/09

Steven Rea, Philadelphia Inquirer: VERY GOOD (cg)
"...an odyssey where small moments loom large, and where the simplest of pleasures take on, if not a deeper significance, a more mindful one." (See all of Steven Rea's reviews...) (Read the full review...)
709 words, 05/15/09

Ty Burr, Boston Globe: WEAK (cg)
"...a dud.... each frame is a pristine work of art that could fit neatly into a coffee-table book. You'd probably flip the pages a little faster, though." (See all of Ty Burr's reviews...) (Read the full review...)
559 words, 05/08/09

Colin Covert, Minneapolis Star-Tribune: POOR (cg)
"...interminable trifle from indie icon Jim Jarmusch aims to be the last word in ironic cool, but it comes across as the work of a fatigued dilettante.... a pretentious bore..." (See all of Colin Covert's reviews...) (Read the full review...)
425 words, 05/15/09

Moira Macdonald, Seattle Times: MODERATE (cg)
"...a hypnotic-to-a-fault crime drama about a crime that's never specified. It is stylishly shot, but remarkably little happens." (See all of Moira Macdonald's reviews...) (Read the full review...)
427 words, 05/08/09

John Petkovic, Cleveland Plain-Dealer: OUTSTANDING (cg)
"...reminds us why movies used to be called 'motion pictures.' The pictures in Jarmusch's inaction movie tell 1,000 words. Even if the characters utter a precious few." (See all of John Petkovic's reviews...) (Read the full review...)
427 words, 05/27/09

Shawn Levy, Portland Oregonian: FAIR (cg)
"...smug... borderline pointless. You could call it a deliberate effort to invert the conventions of the thriller; you could also call it, more rightly, a self-deluded disaster." (See all of Shawn Levy's reviews...) (Read the full review...)
184 words, 05/15/09

Calvin Wilson, St. Louis Post-Dispatch: GOOD (NOT GREAT) (cg)
"The cast can't be faulted. Swinton is particularly effective, lending a certain fascination to what might have been a mere caricature. And Bill Murray is terrific..." (See all of Calvin Wilson's reviews...) (Read the full review...)
319 words, 05/22/09

Roger Moore, Orlando Sentinel: WEAK (cg)
"A repetitive koan about 'He who thinks he's bigger than the rest must go to the cemetery,' this is indulgent filmmaking at its most pretentious." (See all of Roger Moore's reviews...) (Read the full review...)
405 words, 06/05/09

Lisa Kennedy, Denver Post: GOOD (NOT GREAT) (cg)
"Visually mesmerizing, sonically splendid... as much about an artist and his muses as it is about the crime story that oh-so-meticulously unfolds." (See all of Lisa Kennedy's reviews...) (Read the full review...)
542 words, 05/15/09

ALTERNATIVE/INDIE PRESS (7 Reviews)

J. Hoberman, Village Voice/LA Weekly: OUTSTANDING
"The contents of the package are unknowable; the twine that wraps around its enigma is everything." (See all of J. Hoberman's reviews...) (Read the full review...)
726 words, 04/29/09

Peter Travers, Rolling Stone: MODERATE (cg)
"...may cause permanent harm to audiences drawn to 'Hannah Montana: The Movie.' For that reason, at least, it is recommended." (See all of Peter Travers's reviews...) (Read the full review...)
207 words, 05/01/09

Peter Keough, Boston Phoenix: VERY GOOD (cg)
"...reminiscent by turns of Wim Wenders's 'The American Friend,' the Wachowski Brothers' 'The Matrix,' David Lynch's 'Mulholland Drive'..." (See all of Peter Keough's reviews...) (Read the full review...)
600 words, 05/07/09

Norman Wilner, Toronto Now: GOOD (NOT GREAT) (cg)
"I didn't mind sitting through the thing, even as I felt myself tiring of it in the final reel. A filmmaker as idiosyncratic and expressive as Jarmusch deserves a little indulgence..."
(See all of Norman Wilner's reviews...) (Read the full review...)
277 words, 05/21/09

Ted Scheinman, Washington City Paper: FAIR
"If nothing is new under the sun, why does Jarmusch keep finding new ways to tell us about it?" (See all of Ted Scheinman's reviews...) (Read the full review...)
399 words, 05/07/09

HIGHBROW PRESS (4 Reviews)

Manohla Dargis, New York Times: GOOD (NOT GREAT)
"...a Minimalist exercise in the key of cool... a nondramatic work best appreciated as a pure image-and-sound event." (See all of Manohla Dargis's reviews...) (Read the full review...)
982 words, 05/01/09

Joe Morgenstern, Wall Street Journal: POOR
"Dada meander, shot by Christopher Doyle, is empty and excruciating..." (See all of Joe Morgenstern's reviews...) (Read the full review...)
20 words, 05/01/09

Anthony Lane, New Yorker: GOOD (NOT GREAT)
"...the smartest option would be to match the director cool for cool and walk out of his lovely, exasperating story with twenty minutes to go..." (See all of Anthony Lane's reviews...) (Read the full review...)
464 words, 04/27/09

Betsy Sharkey, Los Angeles Times: OUTSTANDING
"...will leave some convinced the director is merely self-indulgent, and others deeply satisfied. I fall into the deeply satisfied camp..."
(See all of Betsy Sharkey's reviews...) (Read the full review...)
649 words, 05/01/09

MOVIE INDUSTRY (5 Reviews)

Todd McCarthy, Daily Variety: WEAK
"...feels tired and recycled... flagrant hipsterism here falsifies rather than refreshes..." (See all of Todd McCarthy's reviews...) (Read the full review...)
675 words, 04/23/09

Michael Rechtshaffen, Hollywood Reporter: WEAK
"Jarmusch's trademark deadpan quirks seem to have gotten lost in the translation." (See all of Michael Rechtshaffen's reviews...) (Read the full review...)
321 words, 04/24/09

Betsy Sharkey, Los Angeles Times: OUTSTANDING
"...will leave some convinced the director is merely self-indulgent, and others deeply satisfied. I fall into the deeply satisfied camp..."
(See all of Betsy Sharkey's reviews...) (Read the full review...)
649 words, 05/01/09

Manohla Dargis, New York Times: GOOD (NOT GREAT)
"...a Minimalist exercise in the key of cool... a nondramatic work best appreciated as a pure image-and-sound event." (See all of Manohla Dargis's reviews...) (Read the full review...)
982 words, 05/01/09

Joe Morgenstern, Wall Street Journal: POOR
"Dada meander, shot by Christopher Doyle, is empty and excruciating..." (See all of Joe Morgenstern's reviews...) (Read the full review...)
20 words, 05/01/09
(cg) = based on the critic's grade

Review Mixture
30.6 Percentage Points Average Difference Between Reviews
(Norm is 18.4pp; <18.4pp = More Consistent; >18.4pp = More Mixed)
The Limits of Control

The Limits of Control's reviews are separated by an average 30.6 percentage points. The norm for this measure is 18.4 percentage points. Less than 18.4 indicates more consistent reviews; greater than 18.4 indicates more mixed reviews. In the chart below, each dot represents a review, with the dots at the top more positive than the dots at the bottom. From left to right, the dots represent reviews in big, bigger and biggest publications. Roll over each dot for more detail.

The Limits of Control
(35 reviews)
Roll over dots for each review
Broad National   Alternative/Indie   Highbrow Press   Key Cities
NY, LA, Chicago, & Toronto Movie Industry  
Outstanding
Very Good
Good
Moderate
Weak
Poor
Reviews
Outstanding
Very Good
Good
Moderate
Weak
Poor
Reviews
Big
Publications
>Bigger
Publications
>Biggest
Publications
Coverage, Volume & Length
The Limits of Control

Coverage: The Limits of Control's reviews cover 71.3% of potential readers (average is 67.9%). Volume: The film's reviews total 16,818 words in volume (average is 20,194 words). Length: The film's reviews average 480 words in length (the norm is 517 words).

The Limits of Control
Coverage, Volume & Length
(35 Reviews, reviews below)
TotalBroad
National
Press
Local
News-
papers
Alter–
native/
Indie
High-
Brow
Press
Movie
Industry
NY/LA
Chicago
Toronto
Key
Cities
Total
B.O.
Coverage:
Volume:
Length:
71.3%
16,818
481
67.0%
2,036
407
64.9%
9,600
533
100.0%
3,605
515
85.0%
2,115
529
100.0%
2,647
529
75.7%
5,774
577
61.3%
5,596
466
$425K
Averages: 67.9%
20,194
517
65.9%
3,293
468
80.7%
10,360
518
82.0%
3,545
448
58.6%
2,460
626
85.2%
3,381
674
84.6%
5,870
497
73.2%
2,799
533
Opening Day Reviews
Reviews Broke 44.3 Hours After Release (Norm is 1.2 Release)
The Limits of Control

The Limits of Control's reviews on average broke 44.3 hours after opening. Norm for this measure is 1.2 hours before. The chart below shows reviews on opening day and the days before and after opening; the left side is earlier and the right side is later. The red bars extending above the horizontal mid-line represent more positive reviews, and the red bars extending below represent more negative reviews. The white space/red bar in the middle is The Limits of Control's opening day. Click on any bar for a list of the reviews for that day.

The Limits of Control
(35 reviews, click on bars for reviews)
M O R E    P O S I T I V E    R E V I E W S
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M O R E    N E G A T I V E    R E V I E W S
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