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THE MESSENGER Movie Reviews
Drama about a U.S. Army officer, newly returned home from a tour in Iraq, who is assigned to the Army's Casualty Notification service. Cast: Ben Foster, Woody Harrelson, Samantha Morton, Jena Malone, Eamonn Walker Director: Oren Moverman Release Date: November 13, 2009 DVD Release: May 18, 2010 From: Oscilloscope Rating: R Length: 1 hr 53 min
Out On DVD
MAY 18, 2010

The Messenger, Excellent Reviews Key Cities

Updated: Sun, Aug 5 2012, 08:24pm
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The Messenger

The Messenger played in key cities to excellent reviews. • David Denby wrote in the New Yorker, "...a fully felt, morally alert, marvellously acted piece of work.... Oren Moverman, directing for the first time, is tremendously talented at handling actors..." • And Tricia Olszewski wrote in the Washington City Paper, "A gripping film about the Army’s Casualty Notification Team."   More Reviews Below...

The Messenger
Positive Reviews
(38 Reviews, reviews below)
 Compare This Movie... 
TotalBroad
National
Press
Local
News-
papers
Alter–
native/
Indie
High-
Brow
Press
Movie
Industry
NY/LA
Chicago
Toronto
Key
Cities
Total
B.O.
81.5% 81.5% 77.2% 85.5% 87.3% 79.0% 78.9% 80.7% $1.1M
Averages: 51.7% 54.3% 51.9% 47.1% 45.9% 49.0% 49.7% 54.4%
* 81.5% positive reviews out of 100%

Reviews & Quotes (38)


BROAD NATIONAL PRESS (5 Reviews)

Michael Phillips, A.O. Scott, At the Movies: OUTSTANDING (cg)
Michael Phillips: "See it." A.O. Scott: "See it." (See all of Michael Phillips, A.O. Scott's reviews...) (Watch the full review...)
157 seconds, 11/14/09

Owen Gleiberman, Entertainment Weekly: EXCELLENT (cg)
"...a wake-up call to those of us for whom the Iraq war has, too often, seemed a numbing series of television images... honors those who fought and died in Iraq..." (See all of Owen Gleiberman's reviews...) (Read the full review...)
437 words, 11/13/09

David Germain, Associated Press: GOOD (NOT GREAT) (cg)
"...a moderately engaging war-on-terror homefront drama that unfortunately strays about without finding its center." (See all of David Germain's reviews...) (Read the full review...)
158 words, 11/12/09

Thelma Adams, Us Weekly: VERY GOOD (cg)
"...heartbreaking... a compelling portrait of a former warrior faced with an impossible mission off the battlefield." (See all of Thelma Adams's reviews...) (Read the full review...)
70 words, 11/12/09

Claudia Puig, USA Today: OUTSTANDING (cg)
"Oren Moverman and co-writer Alessandro Camon have brought a sense of gritty authenticity to this somber, hard-hitting tale that is simultaneously deeply poignant." (See all of Claudia Puig's reviews...) (Read the full review...)
325 words, 11/20/09
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NEW YORK/LOS ANGELES/CHICAGO/TORONTO (12 Reviews)

A.O. Scott, New York Times: OUTSTANDING
"Mr. Moverman seems able to render the psychological complexities of war and its consequences simultaneously from the inside and the outside." (See all of A.O. Scott's reviews...) (Read the full review...)
864 words, 11/13/09

Elizabeth Weitzman, New York Daily News: GOOD (NOT GREAT) (cg)
"...feels more respectful than real. But similar stories happen every day in this country, and Moverman and his cast make a determined effort to honor them." (See all of Elizabeth Weitzman's reviews...) (Read the full review...)
112 words, 11/13/09

Roger Ebert, Chicago Sun-Times: OUTSTANDING (cg)
"This is a writer's picture, no less than a visual experience that approaches its subject as tactfully as the messengers do. No fancy camerawork. It happens, we absorb it." (See all of Roger Ebert's reviews...) (Read the full review...)
845 words, 11/19/09

Betsy Sharkey, Los Angeles Times: EXCELLENT
"...emotions are used sparingly, with the director's restraint allowing the marvelous central cast -- Ben Foster, Woody Harrelson and Samantha Morton -- to breathe..." (See all of Betsy Sharkey's reviews...) (Read the full review...)
1,024 words, 11/20/09

Kyle Smith, New York Post: POOR (cg)
"...a cliché-riddled script meant to reassure us that military men, even those handpicked for the most delicate missions, are flailing, snarling, tortured jerks." (See all of Kyle Smith's reviews...) (Read the full review...)
399 words, 11/13/09

Michael Phillips, Chicago Tribune: OUTSTANDING (cg)
"...after seeing Oren Moverman's beautifully acted film, you'll be better acquainted with some of the most grueling work a human being can be called upon to perform." (See all of Michael Phillips's reviews...) (Read the full review...)
568 words, 11/20/09

Rafer Guzman, New York Newsday: VERY GOOD (cg)
"Even when grappling with uneven dialogue (co-written by debut director Oren Moverman and Alessandro Camon), Ben Foster is nothing less than mesmerizing." (See all of Rafer Guzman's reviews...) (Read the full review...)
250 words, 11/27/09

David Edelstein, New York Magazine: OUTSTANDING
"What makes the film very fine is its complicated perspective." (See all of David Edelstein's reviews...) (Read the full review...)
229 words, 11/16/09

Rick Groen, Toronto Globe & Mail: OUTSTANDING (cg)
"...the still centre of the picture belongs to Samantha Morton. Such a wonderfully quiet actor. She plays the widowed Olivia, who receives the news with an eerie calm..." (See all of Rick Groen's reviews...) (Read the full review...)
865 words, 02/26/10

Aaron Hillis, Village Voice/LA Weekly: EXCELLENT
"...a moving and nuanced drama... loaded with authentic compassion and charm, even unlikely sucker punches of humor." (See all of Aaron Hillis's reviews...) (Read the full review...)
204 words, 11/11/09

Norman Wilner, Toronto Now: EXCELLENT (cg)
"...about the human wreckage of war, and the weight of survival. Harrelson was Oscar-nominated for the showier role, but Ben Foster is the revelation." (See all of Norman Wilner's reviews...) (Read the full review...)
224 words, 02/25/10

KEY CITIES (14 Reviews)

Michael O'Sullivan, Washington Post: VERY GOOD (cg)
"...feels fresh. Not to mention timely.... at once hard-hitting and bizarrely gentle." (See all of Michael O'Sullivan's reviews...) (Read the full review...)
447 words, 11/13/09

Mick LaSalle, Houston Chronicle/San Francisco Chronicle: OUTSTANDING (cg)
"...a privileged glimpse into people's private pain, a drama shot with the simplicity and immediacy of a documentary." (See all of Mick LaSalle's reviews...) (Read the full review...)
586 words, 11/25/09

Bill Goodykoontz, Arizona Republic: EXCELLENT (cg)
"...delivers what it has to say without sensationalism or political posturing. That restraint, along with the quality of the performances, makes it all the more powerful." (See all of Bill Goodykoontz's reviews...) (Read the full review...)
592 words, 11/20/09

Steven Rea, Philadelphia Inquirer: GOOD (NOT GREAT) (cg)
"There are powerful moments, to be sure... But for all the film's gritty verisimilitude, it is not the great Iraq War movie that Kathryn Bigelow's 'The Hurt Locker' is." (See all of Steven Rea's reviews...) (Read the full review...)
520 words, 11/20/09

Wesley Morris, Boston Globe: VERY GOOD (cg)
"...a forcefully acted and peculiar emotional drama..." (See all of Wesley Morris's reviews...) (Read the full review...)
760 words, 11/20/09

Colin Covert, Minneapolis Star-Tribune: OUTSTANDING (cg)
"...touches on an aspect of military life that I imagine appeals to some personnel almost as much as patriotism. It's the team discipline..." (See all of Colin Covert's reviews...) (Read the full review...)
539 words, 11/20/09

John Hartl, Seattle Times: OUTSTANDING (cg)
"...dares to keep its focus on the variety of responses to disaster. This includes the messengers, who are not encouraged to become emotionally involved..." (See all of John Hartl's reviews...) (Read the full review...)
323 words, 11/25/09

Clint O'Connor, Cleveland Plain-Dealer: VERY GOOD (cg)
"...doesn't debate the merits of fighting in Iraq and Afghanistan but rather expresses a basic fact of war: Young people die, and someone needs to tell the families." (See all of Clint O'Connor's reviews...) (Read the full review...)
483 words, 11/27/09

Mike Russell, Portland Oregonian: EXCELLENT (cg)
"The film's greatest strength is its restraint.... has a verisimilitude rare in films tackling this subject matter." (See all of Mike Russell's reviews...) (Read the full review...)
255 words, 12/04/09

Joe Williams, St. Louis Post-Dispatch: VERY GOOD (cg)
"...it's all the more heartbreaking because of its restraint. The only message is that wars come home with the soldiers, both living and dead." (See all of Joe Williams's reviews...) (Read the full review...)
322 words, 11/25/09

Steve Persall, St. Petersburg Times: OUTSTANDING (cg)
"...one of 2009's best..." (See all of Steve Persall's reviews...) (Read the full review...)
383 words, 02/04/10

Roger Moore, Orlando Sentinel: OUTSTANDING (cg)
"Harrelson gives us layers of hurt under a callous yet needy crust. It may be the best performance of his career and certainly deserves Oscar consideration." (See all of Roger Moore's reviews...) (Read the full review...)
657 words, 01/29/10

Rene Rodriguez, Miami Herald: VERY GOOD (cg)
"...illuminates the sometimes invisible victims of war -- the survivors -- and a pain that is tolerated but never quite healed." (See all of Rene Rodriguez's reviews...) (Read the full review...)
380 words, 02/12/10

ALTERNATIVE/INDIE PRESS (6 Reviews)

Aaron Hillis, Village Voice/LA Weekly: EXCELLENT
"...a moving and nuanced drama... loaded with authentic compassion and charm, even unlikely sucker punches of humor." (See all of Aaron Hillis's reviews...) (Read the full review...)
204 words, 11/11/09

Peter Travers, Rolling Stone: OUTSTANDING (cg)
"Its truths are personal. It means to shake you. And does." (See all of Peter Travers's reviews...) (Read the full review...)
548 words, 10/30/09

Shaula Clark, Boston Phoenix: VERY GOOD (cg)
"...as Will and Tony wander from house to house, surfing 'a fucking ocean of grief,' their icy carapaces melt, old wounds reopen, and things get interesting." (See all of Shaula Clark's reviews...) (Read the full review...)
146 words, 11/19/09

Norman Wilner, Toronto Now: EXCELLENT (cg)
"...about the human wreckage of war, and the weight of survival. Harrelson was Oscar-nominated for the showier role, but Ben Foster is the revelation."
(See all of Norman Wilner's reviews...) (Read the full review...)
224 words, 02/25/10

Tricia Olszewski, Washington City Paper: OUTSTANDING
"A gripping film about the Army's Casualty Notification Team.... a universally relatable drama instead of just another story about Iraq." (See all of Tricia Olszewski's reviews...) (Read the full review...)
472 words, 11/12/09

HIGHBROW PRESS (4 Reviews)

Bob Mondello, NPR All Things Considered: EXCELLENT
"...a film that itself bears such sad tidings about the costs of war, that is an affirming, even an inspiring, gift." (See all of Bob Mondello's reviews...) (Listen to the full review...)
161 seconds, 11/15/09

A.O. Scott, New York Times: OUTSTANDING
"Mr. Moverman seems able to render the psychological complexities of war and its consequences simultaneously from the inside and the outside."
(See all of A.O. Scott's reviews...) (Read the full review...)
864 words, 11/13/09

David Denby, New Yorker: OUTSTANDING
"...a fully felt, morally alert, marvellously acted piece of work.... Oren Moverman, directing for the first time, is tremendously talented at handling actors..." (See all of David Denby's reviews...) (Read the full review...)
1,044 words, 11/09/09

Betsy Sharkey, Los Angeles Times: EXCELLENT
"...emotions are used sparingly, with the director's restraint allowing the marvelous central cast -- Ben Foster, Woody Harrelson and Samantha Morton -- to breathe..."
(See all of Betsy Sharkey's reviews...) (Read the full review...)
1,024 words, 11/20/09

MOVIE INDUSTRY (4 Reviews)

Peter Debruge, Daily Variety: GOOD
"Nobody plays angry like Ben Foster, but compassion is something new for the actor, who softens his crazy-man shtick to deliver a complex and moving performance..." (See all of Peter Debruge's reviews...) (Read the full review...)
705 words, 02/02/09

Justin Lowe, Hollywood Reporter: VERY GOOD
"...gingerly probes wounds that are still healing with admirable empathy and insight.... endeavors to focus exclusively on the home front..." (See all of Justin Lowe's reviews...) (Read the full review...)
424 words, 01/30/09

Betsy Sharkey, Los Angeles Times: EXCELLENT
"...emotions are used sparingly, with the director's restraint allowing the marvelous central cast -- Ben Foster, Woody Harrelson and Samantha Morton -- to breathe..."
(See all of Betsy Sharkey's reviews...) (Read the full review...)
1,024 words, 11/20/09

A.O. Scott, New York Times: OUTSTANDING
"Mr. Moverman seems able to render the psychological complexities of war and its consequences simultaneously from the inside and the outside." (See all of A.O. Scott's reviews...) (Read the full review...)
864 words, 11/13/09
(cg) = based on the critic's grade

Review Mixture
14.3 Percentage Points Average Difference Between Reviews
(Norm is 18.4pp; <18.4pp = More Consistent; >18.4pp = More Mixed)
The Messenger

The Messenger's reviews are separated by an average 14.3 percentage points. The norm for this measure is 18.4 percentage points. Less than 18.4 indicates more consistent reviews; greater than 18.4 indicates more mixed reviews. In the chart below, each dot represents a review, with the dots at the top more positive than the dots at the bottom. From left to right, the dots represent reviews in big, bigger and biggest publications. Roll over each dot for more detail.

The Messenger
(38 reviews)
Roll over dots for each review
Broad National   Alternative/Indie   Highbrow Press   Key Cities
NY, LA, Chicago, & Toronto Movie Industry  
Outstanding
Very Good
Good
Moderate
Weak
Poor
Reviews
Outstanding
Very Good
Good
Moderate
Weak
Poor
Reviews
Big
Publications
>Bigger
Publications
>Biggest
Publications
Coverage, Volume & Length
The Messenger

Coverage: The Messenger's reviews cover 59.4% of potential readers (average is 67.9%). Volume: The film's reviews total 17,552 words in volume (average is 20,194 words). Length: The film's reviews average 462 words in length (the norm is 517 words).

The Messenger
Coverage, Volume & Length
(38 Reviews, reviews below)
TotalBroad
National
Press
Local
News-
papers
Alter–
native/
Indie
High-
Brow
Press
Movie
Industry
NY/LA
Chicago
Toronto
Key
Cities
Total
B.O.
Coverage:
Volume:
Length:
59.4%
17,552
462
44.7%
1,147
229
82.4%
11,766
535
68.2%
1,813
302
77.5%
3,356
839
80.0%
3,017
754
90.8%
5,803
484
73.1%
6,839
489
$1.1M
Averages: 67.9%
20,194
517
65.9%
3,293
468
80.7%
10,360
518
82.0%
3,545
448
58.6%
2,460
626
85.2%
3,381
674
84.6%
5,870
497
73.2%
2,799
533
Opening Day Reviews
Reviews Broke 4 Days After Release (Norm is 1.2 Release)
The Messenger

The Messenger's reviews on average broke 4 days after opening. Norm for this measure is 1.2 hours before. The chart below shows reviews on opening day and the days before and after opening; the left side is earlier and the right side is later. The red bars extending above the horizontal mid-line represent more positive reviews, and the red bars extending below represent more negative reviews. The white space/red bar in the middle is The Messenger's opening day. Click on any bar for a list of the reviews for that day.

The Messenger
(38 reviews, click on bars for reviews)
M O R E    P O S I T I V E    R E V I E W S
E
A
R
L
I
E
R
L
A
T
E
R
M O R E    N E G A T I V E    R E V I E W S
Movie Review Intelligence Mobile Web App 1.2
Updated: Sun, Aug 5 2012, 08:24pm
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