Giving moviegoers the most accurate picture of movie reviews possible
Home
Out on DVD
Search Movies
Compare Movies
Critics
Publications
About Us
Dear Reader: Update, Movie Review Intelligence will
continue publishing this website through June (more...)
Search a Movie:
THE NEXT THREE DAYS Movie Reviews
Crime thriller about a man who will employ any means necessary to clear his incarcerated wife of a murder charge. Cast: Russell Crowe, Elizabeth Banks, Liam Neeson, Brian Dennehy, Lennie James, Olivia Wilde Director: Paul Haggis Release Date: November 19, 2010 DVD Release: March 8, 2011 From: Lionsgate Rating: PG-13 Length: 2 hr 2 min
Out On DVD
MARCH 8, 2011

The Next Three Days, Mixed Reviews

Updated: Sun, Nov 4 2012, 11:35am
Digg This StumbleUpon del.icio.us Twitter Share on Facebook
 | E-Mail to a Friend  | Print 
The Next Three Days

The Next Three Days played to mixed reviews. • David Denby wrote in the New Yorker, "...an accomplished, intelligent, often exciting piece of work, but I can't help wishing that Haggis had figured out how to make it more fun.... it's a caper without play or wit..." • And Peter Travers wrote in Rolling Stone, "It's damn hard to enjoy a thriller when you don't, won't, can't believe a word of it."  More Reviews Below...

The Next Three Days
Positive Reviews
(47 Reviews, reviews below)
 Compare This Movie... 
TotalBroad
National
Press
Local
News-
papers
Alter–
native/
Indie
High-
Brow
Press
Movie
Industry
NY/LA
Chicago
Toronto
Key
Cities
Total
B.O.
53.2% 54.2% 54.0% 54.4% 40.4% 37.7% 42.9% 60.8% $21.1M
Averages: 51.7% 54.3% 51.9% 47.1% 45.9% 49.0% 49.7% 54.4%
* 53.2% positive reviews out of 100%

Reviews & Quotes (47)


BROAD NATIONAL PRESS (9 Reviews)

Oliver Jones, People: GOOD (NOT GREAT) (cg)
"There's a tense little thriller that wants badly to bust out of 'The Next Three Days'... spends too much of its time being a dry, sluggish family melodrama." (See all of Oliver Jones's reviews...) (Read the full review...)
144 words, 11/18/10

Mary Pols, Time: WEAK
"...morally bankrupt -- a film that makes you feel as though you've been taken for a smooth ride by the Hollywood machine and dropped somewhere very nasty." (See all of Mary Pols's reviews...) (Read the full review...)
330 words, 11/19/10

Christy Lemire, Associated Press: MODERATE (cg)
"It's simply too hard to buy Russell Crowe and Elizabeth Banks as husband and wife.... it undermines our ability to become emotionally immersed..." (See all of Christy Lemire's reviews...) (Read the full review...)
568 words, 11/18/10

Thelma Adams, Us Weekly: GOOD (NOT GREAT) (cg)
"...showcases Crowe's range -- loving father, sexy husband, backstreet brawler -- as a Pittsburgh professor pushed to vigilante extremes." (See all of Thelma Adams's reviews...) (Read the full review...)
93 words, 11/18/10

Lisa Schwarzbaum, Entertainment Weekly: EXCELLENT (cg)
"...generates escalating waves of plot tension and misdirection... Oh, he squeaked through that? How about this?" (See all of Lisa Schwarzbaum's reviews...) (Read the full review...)
396 words, 11/19/10

Peter Travers, Rolling Stone: WEAK (cg)
"It's damn hard to enjoy a thriller when you don't, won't, can't believe a word of it. Russell Crowe stars as a mild-mannered teacher (huh?)..." (See all of Peter Travers's reviews...) (Read the full review...)
122 words, 11/12/10

Scott Bowles, USA Today: MODERATE (cg)
"...less than the sum of its parts.... swings between being a whodunit and a guns-blazing romp. By film's end, you may not be sure what it is, either." (See all of Scott Bowles's reviews...) (Read the full review...)
506 words, 11/19/10

Roger Ebert, Chicago Sun-Times: GOOD (NOT GREAT) (cg)
"...a competent thriller, but maybe could have been more.... It's sort of slow, because it spells out a lot of details, but it kept me involved." (See all of Roger Ebert's reviews...) (Read the full review...)
759 words, 11/18/10

James Berardinelli, Reel Views: VERY GOOD (cg)
"...offers enough suspense to make it worth the price of admission." (See all of James Berardinelli's reviews...) (Read the full review...)
1,102 words, 11/18/10
we have an app for when you're out and about
get our iPhone app...     or get our mobile web app...
movie     review     intelligence

NEW YORK/LOS ANGELES/CHICAGO/TORONTO (12 Reviews)

A.O. Scott, New York Times: FAIR
"Humor is what a movie like this needs if it is to be taken seriously. Otherwise it's not much more than a meticulously detailed, very long instructional video." (See all of A.O. Scott's reviews...) (Read the full review...)
891 words, 11/19/10

Joe Neumaier, New York Daily News: WEAK (cg)
"Russell Crowe can't save this eye-rollingly absurd escape thriller." (See all of Joe Neumaier's reviews...) (Read the full review...)
434 words, 11/19/10

Betsy Sharkey, Los Angeles Times: POOR
"...the screaming should be directed at Paul Haggis, who both wrote and directed this mess.... He has totaled this one. Yes, 'The Next Three Days' is really that bad." (See all of Betsy Sharkey's reviews...) (Read the full review...)
784 words, 11/19/10

Kyle Smith, New York Post: VERY GOOD (cg)
"...some breathless moments, most of them wisely saved up for a richly realized final act.... strikes an arresting balance of the ordinary and the unlikely." (See all of Kyle Smith's reviews...) (Read the full review...)
671 words, 11/19/10

Rafer Guzman, New York Newsday: GOOD (NOT GREAT) (cg)
"...another Russell Crowe movie - slow-moving, heavyset and a little too serious." (See all of Rafer Guzman's reviews...) (Read the full review...)
323 words, 11/19/10

Roger Ebert, Chicago Sun-Times: GOOD (NOT GREAT) (cg)
"...a competent thriller, but maybe could have been more.... It's sort of slow, because it spells out a lot of details, but it kept me involved."
(See all of Roger Ebert's reviews...) (Read the full review...)
759 words, 11/18/10

Melissa Anderson, Village Voice/LA Weekly: POOR
"As a writer-director, Haggis has never been one for nuance or persuasive storytelling... interminably nonsensical.... ridiculous..." (See all of Melissa Anderson's reviews...) (Read the full review...)
623 words, 11/17/10

Peter Howell, Toronto Star: GOOD (NOT GREAT) (cg)
"...a film of measured pace and careful reveals... Haggis is determined not to spoon-feed the story." (See all of Peter Howell's reviews...) (Read the full review...)
640 words, 11/19/10

Stephen Cole, Toronto Globe & Mail: GOOD (NOT GREAT) (cg)
"An okay thriller with lots of smart flourishes... has us hooked early on but never quite gets us in the boat." (See all of Stephen Cole's reviews...) (Read the full review...)
614 words, 11/19/10

Josep Parera, La Opinion: VERY GOOD (cg)
"Haggis domina con impecable estilo los resortes tanto del cine más melodramático como del suspenso o la acción." (See all of Josep Parera's reviews...) (Read the full review...)
405 words, 11/19/10

Norman Wilner, Toronto Now: WEAK (cg)
"Haggis's schematic approach to screenwriting becomes more and more annoying... It makes for a clear-cut moral universe, sure... but also for an utterly predictable movie." (See all of Norman Wilner's reviews...) (Read the full review...)
239 words, 11/18/10

KEY CITIES (15 Reviews)

Ann Hornaday, Washington Post: MODERATE (cg)
"...never fully embraces its identity as pulp entertainment." (See all of Ann Hornaday's reviews...) (Read the full review...)
456 words, 11/19/10

Steven Rea, Philadelphia Inquirer: VERY GOOD (cg)
"...genre fare - no pretensions, no nonsense. And if the criminal justice system is broke, heck, what's wrong with breaking some locks, and breaking the law?" (See all of Steven Rea's reviews...) (Read the full review...)
549 words, 11/19/10

Mick LaSalle, Houston Chronicle/San Francisco Chronicle: GOOD (NOT GREAT) (cg)
"...at once too silly to be a serious drama and too serious for us to suspend our disbelief and look forward to seeing Crowe doing damage. If only it were at least fun..." (See all of Mick LaSalle's reviews...) (Read the full review...)
683 words, 11/19/10

Roger Moore, Orlando Sentinel: VERY GOOD (cg)
"...thoroughly engrossing... writer/director Haggis foreshadows, hides details, delays his 'reveals' and does a pretty good job of keeping us guessing..." (See all of Roger Moore's reviews...) (Read the full review...)
555 words, 11/19/10

Colin Covert, Minneapolis Star-Tribune: OUTSTANDING (cg)
"...intelligent, packed with shivering suspense, populated with marvelous characters and (unless you've seen the French original, 'Pour Elle') impressively unpredictable." (See all of Colin Covert's reviews...) (Read the full review...)
606 words, 11/19/10

Bill Goodykoontz, Arizona Republic: MODERATE (cg)
"There are some things to admire... But there are things to dislike, as well... the usually solid Haggis ('In the Valley of Elah,' 'Crash') and Crowe don't show us enough..." (See all of Bill Goodykoontz's reviews...) (Read the full review...)
564 words, 11/19/10

Tom Maurstad, Dallas Morning News: WEAK (cg)
"...too long and full of the kind of ludicrous coincidences and preposterous moments that will have you laughing when you're supposed to be tearing up or gasping in shock." (See all of Tom Maurstad's reviews...) (Read the full review...)
609 words, 11/19/10

Ty Burr, Boston Globe: MODERATE (cg)
"If you want a solid, no-frills example of A-list talents stooping to B-movie pleasures, I hereby direct you to..." (See all of Ty Burr's reviews...) (Read the full review...)
602 words, 11/19/10

Stephen Whitty, Cleveland Plain-Dealer: VERY GOOD (cg)
"...a straightforward little thriller, directed by Paul Haggis with an eye toward interesting supporting characters and fresh urban locations." (See all of Stephen Whitty's reviews...) (Read the full review...)
432 words, 11/19/10

Moira Macdonald, Seattle Times: GOOD (NOT GREAT) (cg)
"Crowe and Banks actually make the film work better than it deserves to; its pacing is off, and things don't really get moving until the final, electric half-hour or so." (See all of Moira Macdonald's reviews...) (Read the full review...)
485 words, 11/19/10

Marc Mohan, Portland Oregonian: GOOD (NOT GREAT) (cg)
"...a compelling look at the potentially fine line between grief and delusion, a solidly acted drama that dares not to offer up easy answers to difficult questions." (See all of Marc Mohan's reviews...) (Read the full review...)
233 words, 11/19/10

Steve Persall, St. Petersburg Times: FAIR (cg)
"...pays less attention than usual to character development, allowing everyone a single trait: grimly determined for John, grimly neurotic for Lara..." (See all of Steve Persall's reviews...) (Read the full review...)
461 words, 11/18/10

Tom Long, Detroit News: GOOD (cg)
"Suspenseful if not wholly believable, the main problem is it lasts about a half day too long." (See all of Tom Long's reviews...) (Read the full review...)
309 words, 11/19/10

Rene Rodriguez, Miami Herald: GOOD (NOT GREAT) (cg)
"Writer/director Paul Haggis hunkers down to craft a pressure cooker of a thriller. If only he had kicked the heat up a few notches." (See all of Rene Rodriguez's reviews...) (Read the full review...)
666 words, 11/19/10

ALTERNATIVE/INDIE PRESS (9 Reviews)

Melissa Anderson, Village Voice/LA Weekly: POOR
"As a writer-director, Haggis has never been one for nuance or persuasive storytelling... interminably nonsensical.... ridiculous..." (See all of Melissa Anderson's reviews...) (Read the full review...)
623 words, 11/17/10

Josh Tyler, Cinema Blend: OUTSTANDING (cg)
"...a far more emotional and intimate connection than any other heist movie you've seen before.... makes an otherwise implausible premise feel utterly plausible." (See all of Josh Tyler's reviews...) (Read the full review...)
656 words, 11/19/10

Peter Keough, Boston Phoenix: GOOD (NOT GREAT) (cg)
"...engrossing for a while... but in the end it all comes crashing down." (See all of Peter Keough's reviews...) (Read the full review...)
145 words, 11/18/10

Scott Tobias, AV Club: GOOD (NOT GREAT) (cg)
"...feels needlessly cumbersome, burdened by moral questions that don't add in value what they subtract in pace." (See all of Scott Tobias's reviews...) (Read the full review...)
375 words, 11/18/10

Nick Schager, Slant: GOOD (NOT GREAT) (cg)
"...refuses to puff up its action with message-movie sermonizing.... a high-gloss prison-break movie in reverse, one that every so often raises a thorny moral dilemma..." (See all of Nick Schager's reviews...) (Read the full review...)
659 words, 11/12/10

Norman Wilner, Toronto Now: WEAK (cg)
"Haggis's schematic approach to screenwriting becomes more and more annoying... It makes for a clear-cut moral universe, sure... but also for an utterly predictable movie."
(See all of Norman Wilner's reviews...) (Read the full review...)
239 words, 11/18/10

Curt Holman, Atlanta Creative Loafing: GOOD (NOT GREAT) (cg)
"...a cracking suspense flick... it's like watching an outtakes reel from 'Crash'..." (See all of Curt Holman's reviews...) (Read the full review...)
714 words, 11/19/10

MaryAnn Johanson, Flick Filosopher: EXCELLENT (cg)
"...so thoroughly enthralling that it scooped me up into its world and made me so much a part of it that I forgot I was sitting in a screening room watching a movie." (See all of MaryAnn Johanson's reviews...) (Read the full review...)
726 words, 11/18/10

HIGHBROW PRESS (5 Reviews)

Joe Morgenstern, Wall Street Journal: WEAK
"...depends on intricate contrivances that you either accept and enjoy or, in my case, instinctively reject. 'The Next Three Days' asks its audience to accept a lot." (See all of Joe Morgenstern's reviews...) (Read the full review...)
357 words, 11/19/10

A.O. Scott, New York Times: FAIR
"Humor is what a movie like this needs if it is to be taken seriously. Otherwise it's not much more than a meticulously detailed, very long instructional video."
(See all of A.O. Scott's reviews...) (Read the full review...)
891 words, 11/19/10

David Denby, New Yorker: GOOD
"...an accomplished, intelligent, often exciting piece of work, but I can't help wishing that Haggis had figured out how to make it more fun.... it's a caper without play or wit..." (See all of David Denby's reviews...) (Read the full review...)
830 words, 11/15/10

Betsy Sharkey, Los Angeles Times: POOR
"...the screaming should be directed at Paul Haggis, who both wrote and directed this mess.... He has totaled this one. Yes, 'The Next Three Days' is really that bad."
(See all of Betsy Sharkey's reviews...) (Read the full review...)
784 words, 11/19/10

Andrew O'Hehir, Salon: FAIR
"...a ponderous but mesmerizing tick-tock thriller.... it's slow and portentous and wretchedly excessive..." (See all of Andrew O'Hehir's reviews...) (Read the full review...)
1,039 words, 11/19/10

MOVIE INDUSTRY (6 Reviews)

Justin Chang, Daily Variety: MODERATE
"...the film's attempt to draw out the moral stakes never addresses the material's basic, surface-level implausibility." (See all of Justin Chang's reviews...) (Read the full review...)
1,012 words, 11/09/10

Kirk Honeycutt, Hollywood Reporter: MODERATE
"Russell Crowe's subdued characterization of an ordinary man who undertakes extraordinary actions remains a little too ordinary." (See all of Kirk Honeycutt's reviews...) (Read the full review...)
728 words, 11/10/10

Betsy Sharkey, Los Angeles Times: POOR
"...the screaming should be directed at Paul Haggis, who both wrote and directed this mess.... He has totaled this one. Yes, 'The Next Three Days' is really that bad."
(See all of Betsy Sharkey's reviews...) (Read the full review...)
784 words, 11/19/10

Emanuel Levy, Cinema 24/7: MODERATE (cg)
"...not the right material for Paul Haggis, for it displays his major shortcomings as a filmmaker.... Crow gives a decently compelling (though not great) performance..." (See all of Emanuel Levy's reviews...) (Read the full review...)
669 words, 11/17/10

A.O. Scott, New York Times: FAIR
"Humor is what a movie like this needs if it is to be taken seriously. Otherwise it's not much more than a meticulously detailed, very long instructional video."
(See all of A.O. Scott's reviews...) (Read the full review...)
891 words, 11/19/10

Joe Morgenstern, Wall Street Journal: WEAK
"...depends on intricate contrivances that you either accept and enjoy or, in my case, instinctively reject. 'The Next Three Days' asks its audience to accept a lot." (See all of Joe Morgenstern's reviews...) (Read the full review...)
357 words, 11/19/10
(cg) = based on the critic's grade

Review Mixture
19.7 Percentage Points Average Difference Between Reviews
(Norm is 18.4pp; <18.4pp = More Consistent; >18.4pp = More Mixed)
The Next Three Days

The Next Three Days's reviews are separated by an average 19.7 percentage points. The norm for this measure is 18.4 percentage points. Less than 18.4 indicates more consistent reviews; greater than 18.4 indicates more mixed reviews. In the chart below, each dot represents a review, with the dots at the top more positive than the dots at the bottom. From left to right, the dots represent reviews in big, bigger and biggest publications. Roll over each dot for more detail.

The Next Three Days
(47 reviews)
Roll over dots for each review
Broad National   Alternative/Indie   Highbrow Press   Key Cities
NY, LA, Chicago, & Toronto Movie Industry  
Outstanding
Very Good
Good
Moderate
Weak
Poor
Reviews
Outstanding
Very Good
Good
Moderate
Weak
Poor
Reviews
Big
Publications
>Bigger
Publications
>Biggest
Publications
Coverage, Volume & Length
The Next Three Days

Coverage: The Next Three Days's reviews cover 93.1% of potential readers (average is 67.9%). Volume: The film's reviews total 25,676 words in volume (average is 20,194 words). Length: The film's reviews average 546 words in length (the norm is 517 words).

The Next Three Days
Coverage, Volume & Length
(47 Reviews, reviews below)
TotalBroad
National
Press
Local
News-
papers
Alter–
native/
Indie
High-
Brow
Press
Movie
Industry
NY/LA
Chicago
Toronto
Key
Cities
Total
B.O.
Coverage:
Volume:
Length:
93.1%
25,676
546
100.0%
4,020
447
92.4%
13,388
558
100.0%
4,392
488
78.0%
3,901
780
100.0%
4,441
740
84.5%
6,638
553
95.2%
7,867
524
$21.1M
Averages: 67.9%
20,194
517
65.9%
3,293
468
80.7%
10,360
518
82.0%
3,545
448
58.6%
2,460
626
85.2%
3,381
674
84.6%
5,870
497
73.2%
2,799
533
Opening Day Reviews
Reviews Broke 25.4 Hours Before Release (Norm is 1.2 Release)
The Next Three Days

The Next Three Days's reviews on average broke 25.4 hours before opening. Norm for this measure is 1.2 hours before. The chart below shows reviews on opening day and the days before and after opening; the left side is earlier and the right side is later. The red bars extending above the horizontal mid-line represent more positive reviews, and the red bars extending below represent more negative reviews. The white space/red bar in the middle is The Next Three Days's opening day. Click on any bar for a list of the reviews for that day.

The Next Three Days
(47 reviews, click on bars for reviews)
M O R E    P O S I T I V E    R E V I E W S
E
A
R
L
I
E
R
L
A
T
E
R
M O R E    N E G A T I V E    R E V I E W S
Movie Review Intelligence Mobile Web App 1.2
Updated: Sun, Nov 4 2012, 11:35am
Digg This StumbleUpon del.icio.us Twitter Share on Facebook
 | E-Mail to a Friend  | Print 


Mobile Web App version 1.2 shows a list of all current movies and review information. You can click through to the cast, director, synopsis, release date and rating on page two, plus individual reviews on page three. The information is updated on a live/real-time basis. You can also search our database of films. Designed for when you're on the move and want the latest info, this app will work on any mobile web browser.

From your mobile device -- only from a mobile device -- open our Mobile Web App here...


 

get one email
Update
every Friday when
the reviews are in
GO

Opening Soon
   (Early Figures)

Friday, May 24
Fast & Furious 6 78.0% May 24
The Hangover Part III 25.0% May 23
Epic (2013) nr May 24
3 Geezers! 50.0% May 22
A Green Story 25.0% May 24
Alyce Kills 62.5% May 24
Before Midnight (2013) 97.5% May 24
Charge 75.0% May 23
Fill the Void (Lemale et ha'halal) 77.5% May 24
Plimpton! Starring George Plimpton as Himself 67.9% May 22
We Steal Secrets: The Story of Wikileaks 76.7% May 24
Friday, May 31
After Earth nr May 31
Now You See Me (2013) nr May 31
American Mary 66.6% May 31
Hannah Arendt 65.6% May 29
I Do (2013) 54.5% May 31
Shadow Dancer (2013) 73.3% May 31
The East 89.1% May 31
The Kings of Summer 75.0% May 31
Friday, June 7
The Internship (2013) nr Jun 7
The Purge nr Jun 7
Évocateur: The Morton Downey Jr. Movie nr Jun 7
Dirty Wars 83.0% Jun 7
Much Ado About Nothing (2013) 95.6% Jun 7
Passion 53.5% Jun 7
Rapture-Palooza nr Jun 7
Syrup nr Jun 7
Tiger Eyes nr Jun 7
Violet & Daisy 58.0% Jun 7
Wish You Were Here (2013) 72.7% Jun 7
You Ain't Seen Nothin' Yet (Vous n'avez encore rien vu) 71.1% Jun 7
Friday, June 14
This Is the End nr Jun 12
Man of Steel (2013) nr Jun 14
The Bling Ring 66.6% Jun 14
Vehicle 19 25.0% Jun 14
Beyond
Don Jon 55.6% Oct 18
Battle of the Year nr Sep 13
Ain't Them Bodies Saints 86.3% Aug 16
Crystal Fairy 65.0% Jul 12
Fruitvale Station 89.3% Jul 26
I'm So Excited! 54.7% Jun 28
In a World... 81.5% Aug 9
Lovelace 73.5% Aug 9
Prince Avalanche 77.9% Aug 16
The Attack (L'attentat) 62.8% Jun 21
The Hunt (Jagten) 71.3% Jul 12
The Spectacular Now 82.2% Aug 2
The Way, Way Back 87.6% Jul 5
Touchy Feely 61.5% Sep 6
V/H/S/2 68.3% Jul 12
Wadjda 90.1% Aug 30
You Will Be My Son (Tu seras mon fils) 71.3% Sep 13